Welcome! This is your first free article. Get more free articles when you sign up with your email.

Haddon Hall

“Rare resuscitation of arthur sullivan's pedestrian work”
FacebookTwitterLinkedIn

In 1890, impresario Richard D’Oyly Carte, composer Arthur Sullivan and librettist WS Gilbert fell out over the costs of a carpet. It ended in court, with one of the great operatic partnerships seemingly sundered. In fact, Gilbert and Sullivan eventually worked together again, though in the interim they sought other collaborators.

This was the background to the creation of Haddon Hall, in which Sullivan set a libretto by Sydney Grundy – a popular playwright of the day, but now forgotten.

The piece, which premiered at the Savoy Theatre in 1892, is set at the Derbyshire mansion of the title in the mid 17th century, and loosely built around the apocryphal elopement of the daughter of the house with her lover. It enjoyed a respectable run but subsequently fell from the repertoire. This was the first professional UK revival in more than a century.

Enterprising though it was of the National Gilbert and Sullivan Opera Company to mount a full-scale staging, and welcome to aficionados, there’s no denying that the piece has its problems.

“Time has not been kind to the text”, say Martin Yates and the late David Eden, who have created a new version of the libretto. Even so, Grundy’s words feel impossibly clunky and rarely inspire Sullivan to those flights of fancy that Gilbert’s sharp wit regularly brought out of him. The result is pedestrian. The ‘comic’ Puritans are something of a trial.

Director Sarah Helsby Hughes’ decision to give this period piece an old-fashioned staging is probably the best option. Conductor Andrew Nicklin keeps the uneven score on the musical road. Orchestra and chorus both make a positive impact.

Among an effective cast, Rachel Harland’s bright soprano wins her success as Dorothy Vernon, while expert old-stagers Bruce Graham (The McCrankie), Richard Suart (Rupert Vernon) and Donald Maxwell (Sir George Vernon) extract more than you might think possible from indifferent material.

See also:


Related to this Review

Celebrating 25 years of the very model of a modern opera festivalCelebrating 25 years of the very model of a modern opera festival

Production Details
Production nameHaddon Hall
VenueReview of Iolanthe – 'contains moments of sheer bliss'
LocationHarrogate
StartsAugust 17, 2018
EndsAugust 17, 2018
Running time2hrs 50mins
ComposerArthur Sullivan
DirectorSarah Helsby Hughes
ConductorAndrew Nicklin
ChoreographerJackie O'Brien
Lighting designerDavid Marsden
Casting directorIan Smith
CastDonald Maxwell, Bruce Greatorex, David Menezes, Katherine Marriott, Nicholas Sales, Rachel Harland, Richard Suart
TechnicalSusan Smethurst
Stage managerKeith Drage
ProducerIan Smith, International Gilbert, Janet Smith, National G&S Company, Neil Smith, Sullivan Festival
VerdictWritten without Gilbert, Sullivan's 1892 light opera is given a rare resuscitation
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
George Hall

George Hall

George Hall

George Hall

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube