ao link
News
Reviews
Opinion & Advice
Big Interviews
Long Reads
Features
Podcasts
Cartoons
Promoted Content
Jobs
Castings
Training
Awards
Events
Suppliers
The Stage Archive
Subscribe
Register
or
Login
News
Reviews
More
Opinion & Advice
Big Interviews
Long Reads
Features
Podcasts
Cartoons
Promoted Content
The Stage Archive
Jobs
Suppliers
Castings
Training
Awards
Events
SUBSCRIBE
Remember Login
Register
|
Reset Password
Search
Search
Search
West End
Musical Theatre
Backstage & Technical
Obituaries & Archive
Opera
Dance
Awards
Jobs & Auditions
Training & Drama Schools
Hot Topics
Broadway & International
Acting & Performance
Edinburgh Fringe
Shakespeare
Pantomime
Don't Look Away
“New writing about the refugee crisis”
Reviews
May 9, 2019
Pleasance Theatre, London
To continue reading this article you must be logged in
Register
or
login
to unlock 3 free articles every month
Or
subscribe
for unlimited access
Remember Login
Register
|
Reset Password
Fergus Morgan
Fergus Morgan is a freelance journalist and critic. He was the winner of The Stage Critic Search 2016
More from this Author
Kerry Ellis’ culture in lockdown: ‘I’m really into Line of Duty – but no spoilers please’
Culture in Lockdown: Harriet Thorpe – ‘We’ve always needed art. We used to go to the Colosseum, now we sit in front of our computers’
Vicky Featherstone’s culture picks in lockdown: ‘Thanks to Zoom, I’ve had a whole series of international conversations’
More on this topic
Anthropocene: The Human Era
Reviews
by Ka Bradley
Online
Race and theatre criticism | We need critical change
Features
by The Stage
Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change
Features
by Emmanuel Kojo
Race and theatre criticism | On writing about race: Equity’s recommendations for theatre critics
Features
by The Stage
More Reviews
Latest
Most Read
Anthropocene: The Human Era
Online
The Importance of Being Earnest
Online
A Splinter of Ice
Online/touring
Private Peaceful
Barn Theatre, Cirencester/Online
Staged
BBC One
Talking Heads – episodes 1-6
The Haunting of Alice Bowles
Online
Twelfth Night
Olivier, National Theatre, London
Recommended for you
Anthropocene: The Human Era
Reviews
by Ka Bradley
Online
Race and theatre criticism | We need critical change
Features
by The Stage
Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change
Features
by Emmanuel Kojo
Race and theatre criticism | On writing about race: Equity’s recommendations for theatre critics
Features
by The Stage
Fergus Morgan
Fergus Morgan is a freelance journalist and critic. He was the winner of The Stage Critic Search 2016
More from this author
Kerry Ellis’ culture in lockdown: ‘I’m really into Line of Duty – but no spoilers please’
The Giant Pacific Octopus Maritime School
Culture in Lockdown: Harriet Thorpe – ‘We’ve always needed art. We used to go to the Colosseum, now we sit in front of our computers’
Reviews
Latest
Most Read
Anthropocene: The Human Era
The Importance of Being Earnest
A Splinter of Ice
Private Peaceful
One More Edit
The Elephant in the Room
The Importance of Being Earnest
Smile
No Future
The Motherhood Project
Whodunnit at the Coliseum?
The Seven Deadly Sins/Mahagonny Songspiel
Jobs
'Senior Project Manager / Di...
London
Apply
Box Office Manager
London
Apply
Workshop Activity Host
London
£8.72 (under 23) an...
Apply
Digital Production Manager.
Belfast
£27,000 - £29,000 (...
Apply
Senior Tutors Dance & Musica...
London
£30,000-£32,000 dep...
Apply
Senior Officer, CRF Policy a...
UK Wide
£32,615
Apply
General Manager
London
Apply
Technicians
Colchester
Apply
Guest Experience Team - Host...
London
Apply
Agency Sales Account Manager
London
Apply
Pricing & Revenue Analyst
London
Apply
Scenic Metal Worker
Leicestershire,
Apply
Assistant Retail Manager
London
Apply
Venue Technician (Stage Engi...
London
£32,000
Apply
Technical and Building Manager
Oxford
Apply
Castings
Saxophonist in Cruise Ship E...
Cruise
Paid
Apply
Male Performers in The Seasons
Touring
Paid
Apply
Circus Style Performers in C...
Cruise
Paid
Apply
Contortionists in Cruise Shi...
Cruise
Paid
Apply
Pop Rock Acts in Cruise Ship...
Cruise
Paid
Apply
Comedy Acts in Cruise Ship E...
Cruise
Paid
Apply
International Singers for Pi...
Cruise
Paid
Apply
Party Duo in Cruise Ship Ent...
Cruise
Paid
Apply
Illusionists in Cruise Ship ...
Cruise
Paid
Apply
Pop Violinist Solo in Cruise...
Cruise
Paid
Apply
Mentalists in Cruise Ship En...
Cruise
Paid
Apply
Acrobatic Bikers in Cruise S...
Cruise
Paid
Apply
Bubble Artists in Cruise Shi...
Cruise
Paid
Apply
Country Bands in Cruise Ship...
Cruise
Paid
Apply
Party Trio in Cruise Ship En...
Cruise
Paid
Apply
More on this topic
“Brims with style”
Anthropocene: The Human Era
Reviews
by Ka Bradley
Online
Race and theatre criticism | We need critical change
Features
by The Stage
Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change
Features
by Emmanuel Kojo
Race and theatre criticism | On writing about race: Equity’s recommendations for theatre critics
Features
by The Stage
More about this organisation
The Rage of Narcissus
Reviews
by Dave Fargnoli
No Sweat
Reviews
by Paul Vale
Fix
Reviews
by Ava Wong Davies
Company Three: 'Teenagers have a unique way of thinking – we should listen harder'
Features
by Lyn Gardner
More Reviews
“Brims with style”
Anthropocene: The Human Era
Online
“A delight”
The Importance of Being Earnest
Online
“Humane and poignant”
A Splinter of Ice
Online/touring
“Absorbing energy”
Private Peaceful
Barn Theatre, Cirencester/Online
Recommended for you
“Brims with style”
Anthropocene: The Human Era
Reviews
by Ka Bradley
Online
Race and theatre criticism | We need critical change
Features
by The Stage
Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change
Features
by Emmanuel Kojo
Race and theatre criticism | On writing about race: Equity’s recommendations for theatre critics
Features
by The Stage
Most Read
Across The Stage this week
Exclusive: Beauty and the Beast director steps down after leaked email reveals support for Scott Rudin
Mountview MA students demand refunds in row over pandemic closure
Liam Scarlett
Scott Rudin to step down from UK productions, Sonia Friedman confirms
Helen McCrory
Choreographer Liam Scarlett dies aged 35
Bond farewells: Screen trumps stage, even in death
No intervals, early starts and mask checks: how theatres are preparing to reopen
Liam Scarlett: ‘I am a bit of a control freak’
Race and theatre criticism | We need critical change
Your subscription helps ensure our journalism can continue
Invest in The Stage today with a subscription starting at just £3.98
SUBSCRIBE
Newspaper
News
Reviews
Opinion & Advice
Features
Long Reads
Big Interviews
More
Archive
Castings
Dating
Suppliers
Get Into Theatre
Jobs
Tickets
Training
Info
About
Contact Us
Advertising Enquiries
Where to buy
FAQs
Press
Careers
Awards
The Stage Awards
The Stage Debut Awards
The Stage Edinburgh Awards
Legal
Terms and conditions
Advertising terms and conditions
Contributor agreement
Privacy policy
House rules
GDPR Requests
Castings T&C
Digital
Digital Editions
Mobile Apps
Subscribe
Start a subscription today from just £3.98
Subscribe
© Copyright The Stage Media Company Limited 2021