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Blackthorn

“Striking and sensitive debut play”
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Here’s something a little bit special. Charley Miles’ debut play Blackthorn, which premiered at Leeds Playhouse in 2016, weaves together two tales – one a stirring almost-love story, the other a sobering account of the disintegration of a rural farming community.

A time-hopping two-hander, it slips through a series of conversations between a nameless boy and a nameless girl, the first two babies to be born in a Yorkshire village for 20 years.

They play as innocent children. They fall in love as teenagers. They grow apart as she moves away to university and he stays behind to work. They meet up again at the wedding of a mutual friend. They row when she returns home from London.

It’s tender, at times heart-burstingly so, but it’s also much more than that. As the years slide past, the village evolves: holiday homes instead of workers’ cottages; weekend visitors instead of permanent residents; a chic bistro instead of a rowdy local. Country life, collapsing.

Jacqui Honess-Martin’s uncluttered but enormously moving production boasts two great performances from Harry Egan and Charlotte Bate, him terse and reserved, her bubbly and anxious.

A striking and sensitive debut, with an important and authentic story.


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Production Details
Production nameBlackthorn
VenueSummerhall
LocationEdinburgh
StartsAugust 4, 2018
EndsAugust 26, 2018
Running time1hr
AuthorCharley Miles
ComposerHeather Fenoughty
DirectorJacqui Honess-Martin
ChoreographerNatasha Harrison
Lighting designerJose Tevar
CastCharlotte Bate, Harry Egan
ProducerInsite, Leedshouse, Rowan Rutter
VerdictSensitive and stirring almost-love story set in an evolving rural community
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Fergus Morgan

Fergus Morgan

Fergus Morgan

Fergus Morgan

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