Welcome! This is your first free article. Get more free articles when you sign up with your email.

Asphodel Meadows/The Two Pigeons

“A perfect pairing”
FacebookTwitterLinkedIn

The contrasts could hardly be more pronounced. Youthful vigour versus dulcet experience; aesthetic abstraction versus trad narrative; cool objectivity versus tear-jerking melodrama.

Yet Liam Scarlett’s debut ballet has more in common with Ashton’s popular crowd pleaser than one might imagine. A work of controlled lyricism, it is deeply romantic and pays tribute to classical ballet structures and themes while bending them into new shapes.

At 24, Scarlett demonstrated a choreographic maturity beyond his years; undaunted by stillness, his management of groupings and duets, the fluidity of his designs and the respectful way he reframes classicism with an accelerated sensuality is enormously appealing. The sliding black panels and harsh neon lighting are ultra modern, the flesh coloured and brown velvet costumes are coolly fashionable but the dance itself is timelessly lyrical and illustrates Poulenc’s lush and lively music without being enslaved by it.

Scarlett’s spirited work is enhanced by small but telling details – little synchronised jumps, the flutter of fingers around a waist, a hand placed across a mouth – that colour it with humanity.

Brought back into the repertoire by popular demand, Ashton’s shamelessly sentimental romance might be subtitled When Doves Fly. The story of a young painter who tires of his fidgety girlfriend/model and runs off with a gypsy girl requires utter commitment from the dancers – any hint of irony and the piece would collapse.

Vadim Muntagirov and Lauren Cuthbertson are old hands at this and they have developed a comic chemistry that is both amusing and believable. Their mutual sulking is hilarious but her grief at his departure is quietly touching.  Laura Morera is great as the gypsy temptress but her fellow Romanies are a little too pretty and polite for my taste; their settlement is more holiday camp than gypsy camp. The doves, I might add, behaved themselves impeccably.

Dancer Marianela Nunez: ‘The Royal Opera House and the Royal Ballet are my home and my family’


Related to this Review

Strictly Come Dancing: The Live Tour 2019Strictly Come Dancing: The Live Tour 2019

Production Details
Production nameAsphodel Meadows/The Two Pigeons
VenueRoyal Opera House
LocationLondon
StartsJanuary 18, 2019
EndsFebruary 13, 2019
Running time2hrs 30mins
ComposerAndre Messager, Francis Poulenc
DirectorAmanda Eyles
ChoreographerFrederick Ashton, Liam Scarlett
Set designerJacques Dupont, John Macfarlane
Lighting designerJennifer Tipton, Peter Teigen
CastLaura Morera, Leticia Dias, Luca Acri, Marianela Nunez, Meaghan Grace Hinkis, Mica Bradbury, Ryoichi Hirano, William Bracewell
TechnicalChristopher Carr
ProducerRoyal
VerdictPerfect pairing of new lyricism and old fashioned romance
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Neil Norman

Neil Norman

Neil Norman

Neil Norman

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube