Welcome! This is your first free article. Get more free articles when you sign up with your email.

Flights

“Bleak, tender and intricately written”
FacebookTwitterLinkedIn

Bleak, tender and shot through with stinging black humour, Flights is a meandering but intricately written meditation on the joyful recklessness of youth and the aimlessness of early adulthood.

It’s the story of three 30-something mates attending an annual drink-and-drug-fuelled wake for a dead school friend, an event getting quieter each year as more and more of the old gang move on with their lives.

Author John O’Donovan packs the play with ideas, allowing skilfully written screeds of directionless banter to develop with exquisite slowness into heartfelt musings on enduring friendship, frustrated masculinity and the crushing impact of austerity economics. As in his award-winning, unforgettably titled debut If We Got Some More Cocaine I Could Show You How I Love You, there’s a real sense of place and time here, evoking a vivid small-town Ireland populated by utterly believable characters.

Conor Madden is intensely recognisable as new parent Cusack, happy at home but yearning to cut loose, as he used to. Beside him, Colin Campbell’s put-upon Barry finds himself helplessly dragged along by events, while Rhys Dunlop’s raddled, bright but unemployable Pa spirals downwards, full of mercurial energy and painful vulnerability.

Barring a few heightened, powerfully poetic passages, director Thomas Martin gives the show an unhurried naturalistic staging. His cast members lounge about on Naomi Faughnan’s striking set – a half-constructed shell of a house with walls of blue shrink-wrap – swapping stories and poignant revelations as they soak in booze, nostalgia and emotional exhaustion.

Conor Madden: Brain injury nearly ended my career – now I’m back on stage


Related to this Review

If We Got Some More Cocaine I Could Show You How I Love YouIf We Got Some More Cocaine I Could Show You How I Love You

Production Details
Production nameFlights
VenueProject Arts Centre
LocationDublin
StartsJanuary 21, 2020
EndsFebruary 8, 2020, the at Omnibus Theatre, London, from February 11-29
Running time2hrs 30mins
AuthorJohn O’Donovan
DirectorThomas Martin
Set designerNaomi Faughnan
Lighting designerZia Bergin-Holly
Sound designerPeter Power
CastColin Campbell, Rhys Dunlop, Conor Madden
Production managerEoin Kilkenny
ProducerOne Duck
VerdictAchingly slow-burning study of lost potential enlivened by a trio of powerful performances
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Dave Fargnoli

Dave Fargnoli

More Reviews

Twelfth Night

Twelfth Night

Unprecedented

Unprecedented

Sea Wall

Sea Wall

Dave Fargnoli

Dave Fargnoli

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube