Welcome! This is your first free article. Get more free articles when you sign up with your email.

Dear Marie Stopes

“Short but potent”
FacebookTwitterLinkedIn

In 1918, birth-control advocate Marie Stopes published Married Life, a book that ignited a firestorm of controversy for its daring premise that women should be able to control their own sexuality. One hundred years on, Stopes’ ideas are anything but universally accepted, as composer Alex Mills observes in programme notes for Dear Marie Stopes, receiving two performances at Kings Place.

Dear Marie Stopes is short (45 minutes) but potent, with its sometimes heartbreaking text that comes from the thousands of letters written to Stopes in the wake of her book’s publication.

Mills and librettist Jennifer Thorp have judiciously chosen extracts that highlight the ignorance and fear that drove men and women to turn to Stopes. The extracts also reveal Stopes’ less savoury side as a supporter of eugenics and her sympathetic but frank responses to letter-writers, notably her reply to one woman suffering gonorrhoea: “You should not think of marriage.”

Soprano Alexa Mason and contralto Jess Dandy are compelling as the voices of the letter writers; Mason’s wide-eyed desperation as a woman for whom a 15th childbirth might mean death is haunting. Marie Stopes’ own words are voiced by a countertenor (an impressive Feargal Mostyn-Williams), which adds vocal colour to the music while also changing the dynamics among the three performers because the voice of authority (Stopes) is masculine.

There’s solid direction from Nina Brazier, and the runway-like set and video (Lucía Sánchez Roldán) enhance the production.

Premiered in 2018 at the Wellcome Collection (where the Stopes letters are housed) as part of the Tête à Tête festival, Dear Marie Stopes is a first-rate addition to the catalogue of one-act operas.


Related to this Review

WertherWerther

Production Details
Production nameDear Marie Stopes
VenueKings Place
LocationLondon
StartsSeptember 21, 2019
EndsSeptember 21, 2019
Running time45mins
ComposerAlex Mills, Calum Huggan, Clare O'Connell, Liam Byrne
DirectorNina Brazier
Costume designerAlexa Moore
Lighting designerLucía Sánchez Roldán
Video designerLucía Sánchez Roldán
CastAlexa Mason, Feargal Mostyn-Williams, Jess Dandy
ProducerKate Romano
VerdictShort but potent one-act opera
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98
The Stage
© Copyright The Stage Media Company Limited 2020
Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube