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Uncle Vanya review at Hope Theatre, London – ‘a traditional, abridged staging’

As its name suggests, Tales Retold is a company that attempts to find alternative ways to explore classic texts. It scored a hit with an all-female Antigone last year [1] and now tackles Chekhov.

Despite the company’s mission statement, James Stone’s production is a fairly respectful, traditional adaptation, given a period flourish with some appropriate furniture and unobtrusive lighting design from Chris McDonnell. Jim Armstrong’s sound, however, with its heavy use of background noises occasionally overpowers the action.

The major change here is Brendan Murray’s abridged translation, which has been heavily truncated and suffers for it. The characters are given no time to establish themselves. It feels like something integral to the fabric of this story has been stripped out. The narrative remains intact but the undercurrents have been diluted and there’s nothing fresh or revelatory to take their place, despite some engaging and emotive performances.

Gilly Daniels is charming as Marina, solving life’s problems with tea or a shot of vodka. Cassandra Hodges is a stoic Sonya, consigning herself to spinsterhood and heaven in a single speech. Adrian Wheeler is a deft Vanya, walking the thin line between middle-age and a mid-life crisis with humour and pathos. If nothing else, this version proves a reminder that Chekhov’s play is as much about the passage of time as it is about dysfunctional families.

Abridged staging of Chekhov’s play that loses much of its charm and power despite some fine performances

Production Information

Uncle Vanya
Hope Theatre
April 23, 2019
May 11, 2019
Press night
April 25, 2019
Anton Chekhov
Brendan Murray
James Stone
Chris McDonnell
Jim Armstrong
Stage manager
Jessica Binfield
Cast includes
Adrian Wheeler, Cassandra Hodges, DK Ugonna, Esme Mahoney, Gilly Daniels, Rory McCallum
Tales Retold
Running time
1hr 15mins