Time Is Love review at Finborough Theatre, London – ‘Sheila Atim is captivating’
With every role that Sheila Atim aces – and she aces every role she takes – she reaffirms that she should, and indeed will, be a huge star.
This is true of Che Walker’s genre-piece play, which premiered in LA where it is set and where Walker was living at the time. It’s an okay play, but Atim elevates it whenever she is on stage. Oh, and she also wrote the music: all skittering beats and sultry melodies.
Walker is riding high off the success of Been So Long, his 1998 play which he turned into a musical then turned into a Netflix film – reportedly the highest sum the streaming platform had paid for a British film acquisition.
But where Been So Long was sweet and identifiable, Time Is Love is colder and, at times, confusing. Walker’s basic premise is: “what if Desdemona was actually cheating?” The story is set in an LA barrio where a guy comes out of prison and finds out from his friend that his wife cheated on him with the cop that put him away.
It plays out like a film, aiming for an LA Noir in terms of style but ending up a bit more greyscale. A lot of it feels like pastiche both in the way it’s (possibly over) written – lots of ripe poetry, imagery, and untranslated Spanish – and, at times, acted. From its title to its fourth-wall breaking narrator the play really doesn’t give itself away; it’s sometimes enigmatic and occasionally incomprehensible.
Gabriel Akuwudike does good work as tormented hero Blaz as does Benjamin Cawley as his tricksy best friend Karl. But Atim is captivating.
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.