Get our free email newsletter with just one click

The Weatherman review at Park Theatre, London – ‘spotlights a seedy side of society’

Alec Newman and David Schaal in The Weatherman at Park Theatre, London. Photo: Piers Foley Alec Newman and David Schaal in The Weatherman at Park Theatre, London. Photo: Piers Foley
by -

There’s a certain point at which two single men living in a houseshare crosses the line from chummy to tragic – let’s call it the Peep Show marker. O’Rourke and Beezer are well into this territory, sharing not only a grotty London flat, but also a double bed.

Their landlord and his lackey arrive one morning, with the promise of free rent for six months if the pair looks after something for a while. The tenants are afraid it’s going to be a dog. It’s a whole lot worse.

Make no mistake, Eugene O’Hare’s debut full-length play is one of the most unrelentingly bleak shows you will see this year. It lifts the lid on a murky underworld and introduces you to the sort of reprehensible people that leave you feeling grubby just by being in their presence.

It’s not everybody’s idea of a pleasant night out at the theatre, sure, but those who skip it are missing out on a Martin McDonagh-esque script that manages to wring out drops of humanity and even laughter in the face of abject misery. Particularly so in the second act, in which a series of crushingly sad monologues are relayed to unresponsive parties.

Credit, too, must go to the seasoned cast who let the grim material do the talking, creating a palpable sense of unease in the audience.

After two and a quarter hours, you’ll relieved to escape this claustrophobic show, but the subject matter will stay with you for days afterwards.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
Eugene O’Hare adeptly spotlights a seedy side of society we’d rather not think about