dfp_header_hidden_string

Get our free email newsletter with just one click

Random review at Leeds Playhouse – ‘superbly performed’

Kiza Deen in Random at Leeds Playhouse. Photo: Anthony Robling
by -

7.37am. An alarm clock blares, a family stirs. It’s the start of another day, in which children complain about their burnt porridge before being packed off to school and work.

For this family though, this particular day is going to be anything but normal. This is the day their son dies, stabbed to death.

Debbie Tucker Green’s Random was originally staged at the Royal Court in 2008. It has lost none of its power over the last decade. This is not a polemic about knife violence, rather an exploration of one family’s grief.

For the first 20 or so minutes, the play paints a picture of domestic normality. The writing during these passages has a poetic, lilting quality to it. But when the play shifts gear, it becomes something truly remarkable.

Random was written for a solo performer and Kiza Deen is extraordinary in Gbolahan Obisesan’s revival, fluidly moving between four different characters. Her performance is as powerful as the words. Whether playing a swaggering schoolboy or a sister in mourning, she’s utterly convincing. Her encapsulation of someone consumed by grief, walking around in front of Max Johns’ set of upturned chairs, desperately trying to make sense of the horrific events that have befallen her family, is heartbreaking. It’s the little things that upend you – the moment when she tries to catch one last whiff of her brother’s scent, or sees his computer left on standby, never to be used again.

At just under an hour, Random is a short piece, but one of considerable power. The impact of this moving visceral monologue lingers long after the lights go up.

 

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
Verdict
Superbly performed revival of Debbie Tucker Green’s powerful portrait of a grieving family
^