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Robin Hood and the Babes in the Wood review at Nottingham Playhouse – ‘radiant, warm-hearted panto’

Robin Hood and the Babes in the Wood at Nottingham Playhouse. Photo: Pamela Raith Robin Hood and the Babes in the Wood at Nottingham Playhouse. Photo: Pamela Raith

Watching panto at the Playhouse is like sitting in front of a log fire with all the family home for Christmas. It brims with the feel-good factor. Nobody knows this audience like Kenneth Alan Taylor, who has been manipulating it for more than 30 years. If we didn’t have to respond ‘Pyjama pyjama’ to his ‘Nightie nightie’, we would all feel short-changed.

Everything about it is radiant, from Tim Meacock’s sparkling sets to the smile on the face of Tim Frater, who plays an ebullient Robin Hood. It’s clear, clean storytelling, with not a trace of innuendo and not a special effect in use. Adele Parry’s choreography is edgy and exhilarating, and all the cast can sing.

John Elkington is Nurse Nelly Noggins. One minute, he’s prim and rather arch, and the next he launches into a full-throttle Queen medley that has the audience begging for more. My abiding memory will be of him standing on the bed, clad in sensible pyjamas and wielding a warming-pan intended to knock out Robin Kingsland’s Sheriff – our cue to roar: ‘Oh, no! Not the Sheriff of Nottingham!’ That’s after he’s tried to hang his negligee on a coat hook painted on the wall. Sublime.


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Radiant, warm-hearted panto from a cast who give their all