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Heart of Darkness review at Birmingham Repertory Theatre – ‘cinematic and ambitious’

How do you solve a problem like Heart of Darkness? Leeds-based company Imitating the Dog’s solution is to take Joseph Conrad’s troublesome 1899 novella and all its inbuilt racism, chop it into pieces, then stitch it back together again before the audience’s eyes, making use of cinematic stylings throughout.

The premise is essentially a flipped, noir-ish, re-telling of Heart Of Darkness, set in an alternate universe where Europe has descended into squabbling, oppressive fiefdoms driven by profit and power. Our hero – Charlie Marlow – is a female, Congolese PI. She doesn’t find Kurtz in the heart of Africa, or in the jungles of Cambodia, but in a post-apocalyptic Britain.

Writer-directors Andrew Quick and Pete Brooks splice this with out-of-character literary discussions about the problems of the story, and with snippets of critics and adaptors – Francis Ford Coppola pops up – discussing it too. It’s all orchestrated with a whirlwind of microphones, cameras, and live-streamed projections onto four giant screens.

You can’t fault the production’s ambition, but it doesn’t quite come off. There’s no denying the imagination and intelligence that’s gone into Imitating the Dog’s adaptation. The show grapples mighty themes with clarity, dexterity and insight. But they also end up explaining away the emotion, and the five-strong cast never get to grips with the show’s technical complexity.

Co-artistic director and projection designer Simon Wainwright [1] said this was the company’s most ambitious project to date. But while it’s conceptually breath-taking, it’s ultimately slightly underwhelming.

Video designer Simon Wainwright: ‘It’s like making a collage – we develop work all at the same time’ [1]

Verdict
Technically, conceptually ambitious interpretation of Joseph Conrad’s problematic novella that doesn’t quite come off.

Production Information

Production
Heart of Darkness
Venue
Birmingham Repertory Theatre
City
Birmingham
Starts
November 20, 2018
Ends
November 24, 2018, then touring until May 11 2019
Press night
November 21, 2018
Authors
Joseph Conrad, Andrew Quick, Pete Brooks
Director
Andrew Quick, Pete Brooks
Design
Simon Wainwright (design, projection, video)
Lighting
Andrew Crofts
Sound
Ian Ryan
Costume
Laura Hopkins
Stage manager
Ian Ryan
Cast includes
Keicha Greenidge, Matt Prendergast, Morgan Bailey, Laura Atherton, Morven Macbeth
Producer
Imitating The Dog, Marche Teatro (Italy), Cast Doncaster, Lancaster University, Theatre By The Lake