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Beauty and the Beast review at Unity Theatre, Liverpool –’heartfelt and playful’

The Unity Theatre’s Christmas show sees them once again pairing with children’s theatre company Action Transport while working in collaboration with Liverpool disability and Deaf arts organisation DaDa Fest.

The resulting Beauty and the Beast, written by Kevin Dyer, is a charming story of friendship created with children at its heart. It feels truly inclusive with the majority of songs and dialogue incorporating BSL.

This is not your typical pantomime. Instead of innuendo there is whimsy. The cast of four cavort across the stage with Lecoq-levels of physical comedy, exemplified by Simone Lewis’s clowning butler.

Edward Day makes a delightful Beast, whose beastliness manifests in bad table manners and a habit of stomping around the castle like an adorable moody toddler. Rose-Marie Christian’s Belle manages to be genuinely sweet without becoming saccharine. In her, the not-so-ferocious beast finds a pal rather than a love interest making for a playful take on the classic.

Though Lena Kennard’s design may not have any of the dry ice, sequins and whizz-bangs of panto, it’s full of elegant details. From gold highlights on the costumes to billowing red curtains, it’s refined and stylish.

What director Nina Hajiyianni’s production lacks in rhinestones, it more than makes up for in heart. The Beast’s isolation and anger stem from feeling horrible inside after being bullied – this is something with which most children (and indeed, adults) can, unfortunately, identify.

Sophisticated, child’s eye take on the classic fairy tale that swaps romance for friendship

Production Information

Beauty and the Beast
Unity Theatre
November 30, 3018
January 5, 2019
Press night
December 4, 2018
Kevin Dyer
Nina Hajiyianni
Lena Kennard
Julie Kearney
Phil Saunders
Cast includes
Stephen Collins, Simone Lewis, Edward Day, Rose-Marie Christian
Unity Theatre and Action Transport Theatre, DaDaFest
Running time
1hr 30mins