The Other Room’s latest season kicks off with a stripped-back, one-woman play that is both funny and unsettling. Lily (Lauren O’Leary) is 27 years old, stuck in a minimum-wage job as a leisure centre lifeguard, and caught in a joyless spiral of binge-drinking and meaningless sex. When even her dependable best friend grows out of the cycle of Jagerbombs and hangovers, Lily finds herself at a crossroads.
The Awkward Years is a very modern coming-of-age tale, exploring the limited possibilities for today’s 20-somethings who have come through a college education yet can find no way beyond the student lifestyle.
Matthew Bulgo’s script and Lauren O’Leary’s performance – an impressive professional debut – brilliantly evoke the shame of a life spent in perpetual self-loathing. Yet, refreshingly, Lily is a character that doesn’t beg for, or need, the audience’s sympathy. There’s plenty of defiant wit in the monologue and in O’Leary’s unapologetic delivery. Her showdown with a lecherous boss is a particular highlight.
Dan Jones and movement director Krista Vuori create a frenetic atmosphere, the action interspersed with spiky dances as the character rallies against the demons she hides. Those demons come in the shape of a guilty memory that is slowly revealed as the source of her decline.
But herein lies a problem: though this material is skilfully handled, there’s little here we haven’t already seen in Phoebe Waller-Bridge’s Fleabag . Inevitable comparisons are a shame as, observed as a standalone piece, this is a very good play.