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Pelleas et Melisande review at Theatre Royal, Glasgow – ‘outstanding orchestral playing’

Back in 1962, Scottish Opera’s inaugural season consisted of just two works: Madam Butterfly and Pelleas et Melisande. Debussy’s symbolist opera returns to the company’s repertoire in this largely faithful new production by one of today’s most acclaimed operatic directors, Glasgow-born David McVicar.

While he stages the piece largely by the book – Rae Smith’s costumes suggest the fin de siècle period of the work’s composition, while her highly atmospheric quick-change sets conjure up the distressed look of a forlorn ancient mansion mingling with the mysterious forest where Prince Golaud has his fateful encounter with the enigmatic Melisande – there is nothing lazy about the result: close to the top of his game, McVicar diligently explores the piece’s ambiguities, laying bare all the questions it repeatedly refuses to answer.

He is aided by a fine cast. Roland Wood delivers a vocally vigorous, interpretatively searching portrayal of Golaud, an individual who apparently learns nothing from the sequence of tragic events largely engendered by his crippling jealousy. As Melisande, Carolyn Sampson offers tonal delicacy and a credible suggestion of childlike innocence.

Ukrainian baritone Andrei Bondarenko sings Pelleas with occluded French but once again reveals the gentleness of Golaud’s younger half-brother. Alastair Miles is a vocally expressive Arkel, though both he and McVicar seem at a loss how to make fully explicable his painfully delayed response to Golaud’s horrendous violent attack on Melisande. Anne Mason creates a dignified Genevieve – a character who vanishes early from Debussy’s score, though she lingers on in McVicar’s staging as a silent presence. Cedric Amamoo is note-perfect and desperately moving as Golaud’s child Yniold.

Setting the seal on a compelling dramatic performance is the perceptive and detailed conducting of Stuart Stratford – a real asset to the company as its music director – who draws outstanding playing from the orchestra.

 

Verdict
Perceptive conducting and outstanding orchestral playing provide solid foundations for a faithful production

Production

Production
Pelleas et Melisande
Venue
Theatre Royal
City
Glasgow
Starts
February 23, 2017
Ends
March 4, then touring until March 11
Press night
February 23, 2017
Librettist
Claude Debussy, after Maurice Maeterlinck
Composer
Claude Debussy
Director
David McVicar
Conductor
Stuart Stratford
Set
Rae Smith
Lighting
Paule Constable
Technical
John Liddell (costume supervisor), Robert Dickson (head of lighting)
Stage manager
John Duncan
Production manager
Andrew Storer
Cast includes
Carolyn Sampson, Andrei Bondarenko, Roland Wood, Alastair Miles, Anne Mason, Cedric Amamoo
Casting
Michelle Williams
Producer
Scottish Opera
Running time
3hrs 15mins