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Le Grand Macabre review at Barbican Centre, London – ‘skill and precision’

A comic-grotesque fantasy in which Nekrotzar – a figure representing Death, the “Grand Macabre” of the title – menaces the pleasure-loving population of fictional Brueghelland, Gyorgy Ligeti’s only opera was premiered in Stockholm in 1978 and enjoyed a high degree of success in its original form.

Nevertheless, for a production mounted at the 1997 Salzburg Festival, Ligeti was persuaded by Peter Sellars – so the director informs us in his Barbican programme note – to make substantial revisions, and it is the revised version that conductor Simon Rattle, together with the London Symphony Orchestra and Chorus present in this semi-staging by Sellars himself. What Sellars does not tell us, however, is that Ligeti (who died in 2006) was extremely unhappy with Sellars’ 1997 production; he even threatened to sue.

Though it’s clearly not the same piece of work, there’s no doubt that by once again focusing throughout on the dire consequences of nuclear wars and nuclear accidents – there’s a visual history of nuclear explosions on a video map of the globe, while the Chernobyl disaster is referenced again and again – Sellars turns the absurdist original into something far darker and more menacing; real though Sellars’ concerns may be, Ligeti’s opera has been comprehensively re-angled to accommodate them.

That said, and given the usual problems involved in trying to fit a 55-piece orchestra plus a limited staging onto the Barbican Hall’s none-too-ample platform – the highly disciplined chorus sings from various parts of the auditorium – this is a serious enterprise carried off with skill and musical precision. Rattle is in perfect control of one of the most significant scores of its period – now nearly forty years ago.

The cast is admirable, with accomplished standouts from Peter Hoare’s Piet the Pot, Ronnita Miller’s vocally luscious Amando, Elizabeth Watt’s focused Amanda, Pavlo Hunka’s commanding Nekrotzar and Anthony Roth Costanzo’s flippant Prince Go-Go.

Verdict
Semi-staging of Ligeti’s absurdist comedy turns it into something far more serious

Production Information

Production
Le Grand Macabre
Venue
Barbican Centre
City
London
Starts
January 14, 2017
Ends
January 15, 2017
Press night
Janauary 14, 201
Librettist
Gyorgy Ligeti, Michael Meschke
Composer
Gyorgy Ligeti
Director
Peter Sellars
Conductor
Simon Rattle
Lighting
Ben Zamora
Costume
Michelle Bradbury
Video
Nick Hillel
Stage manager
Betsy Ayer
Cast includes
Peter Hoare, Ronnita Miller, Elizabeth Watts, Pavlo Hunka, Frode Olsen, Heidi Melton, Audrey Luna, Anthony Roth Costanzo
Producer
LSO, Barbican
Running time
2hrs 30mins