Hush-A-Bye review at Arts Depot, London – ‘magical’
Every aspect of the theatre experience has been carefully considered in Hush-A-Bye, a gently interactive show for children aged three to five (there’s a relaxed version too, and one for babies and toddlers) from veteran company Oily Cart. In director Anna Newell’s capable hands, this ‘woodland wonderland’ is not just a place of fun but of learning and comfort too.
Sitting at a sort of bar, looking into Jens Cole’s bright treetop set, their grownups behind them, the children are each invited to build a nest for some hatching baby birds. It’s a sensory activity, and a fun one at that, but it’s also a neat way of getting the children comfortable in the space and invested in the story. The pace here, as throughout, is leisurely enough that no one is left behind, and there’s plenty of time for the cast to engage with their young patrons one-on-one.
Cole’s design really shines as writer and Oily Cart artistic director Tim Webb’s simple plot – the arrival of some unexpected weather and an even more unexpected visitor – takes off, and lighting designer Jack Knowles deserves a particular nod for the magical moment when the rain starts to fall.
Katherine Grey and Griff Fender as Grandma and Grandpa Bird are reassuringly familiar and grandparental, despite their colourful birdy getups, while participatory stage manager Deanne Jones as Hoppity is childlike enough to identify with. Kadialy Kouyate’s beautiful kora playing and singing provides atmospheric underscoring before bursting into life for several fun song and dance numbers. I didn’t want any of it to end.
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