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Echo’s End review at Salisbury Playhouse – ‘arrestingly perceptive’

Barney Norris’ new play Echo’s End, like so much First World War drama before it, is infused with an august Rupert Brooke wistfulness, a mixture of melancholic nostalgia and hazy remembrance.

But it’s also refreshingly unconventional in its approach, presenting a nuanced not-quite-love story that adroitly skirts stereotype. It has a gentle, downbeat power.

John (a terse Tom Byrne) and Anna (a playful Katie Moore) are two childhood friends, born and bred in the idyllic Wiltshire countryside. John loves Anna, but Anna doesn’t – can’t – love him back. When war arrives on the Salisbury Plain (also the location of Norris’ debut novel) in the form of a bustling army training camp, John signs up, fleeing rejection in hope of a waved, tear-stained handkerchief on his departure and a warm embrace upon his return. Except things don’t quite works out like that.

Alice Hamilton’s production, a careful study of rural life, complete with hay-chewing farmers, takes its time. Designer Tom Rogers has created a gorgeous, bucolic corner of a Wiltshire field.

While a trio of yarn-spinning old-timers are too caricatured to wholly convince, Byrne and Moore’s fine, evolving performances are matched by that of Oliver Hembrough as the earnest Anzac, mature beyond his years.

Echo’s End infrequently lapses into twee sentimentality, but it is also compellingly articulate about the perspective-altering effect of war. Aided by the performances of Byrne, Moore and Hembrough, it winds up finding an elegant, arresting, Chekhovian futility.


An arrestingly perceptive, if occasionally sentimental, First World War drama

Production Information

Echo's End
Salisbury Playhouse
March 29, 2017
April 15, 2017
Press night
March 31, 2017
Barney Norris
Alice Hamilton
Tom Rogers
Howard Hudson
Helen Skiera
Barney Meats (technical manager), Peter Hunter, Jon Roache, Dave Marsh (senior technicians), Joe Noonan, Michael Scott (technicians), Hayley Pearce (hairdresser), Darren Ware (wigs), Scott Wayland (props)
Stage manager
Eleanor Randall (company stage manager), Christine Hollinshead (deputy stage manager), Jennifer Hunter (assistant stage manager)
Production manager
John Titcombe
Cast includes
David Beames, Tom Byrne [debut], Oliver Hembrough, Katie Moore, Sadie Shimmin, Robin Soans
Anji Carroll (casting director), Vicky Laker (casting assistant)
Salisbury Playhouse
Running time
2hrs 5mins