There is much mirth in Le Navet Bete’s take on A Christmas Carol. Yet, despite the efforts of the four versatile performers, delivering an array of characters with their customary pizzazz, John Nicholson’s production is slow to gather momentum.
It isn’t really until the silver Telly Tubby-esque Ghost of Christmas Past, complete with squeaky, helium voice, bursts on stage with a disco routine that the show fulfils its comic potential. Only then do we see the company at its inventive and surreal best, complete with a scene with a ghost giving a spirited rendition of Walking in the Air.
The Spirits of Christmas Present and Christmas Yet to Come are also compelling creations, imaginatively portrayed. The first is a tall, affable Irish-accented Christmas tree, the second, a towering black spectre, emerging from a mist backlit by a Dantean red glow. This is the most dramatic image in a set design that otherwise veers towards the frugal.
Much emotional mileage is extracted from Scrooge as we see him transforming from meanness to a redeeming kindness. A scene of two Cornish miners exchanging presents makes a witty interlude as does the slowly revolving lighthouse, surreally depicted by one performer, with a light and a yellow sou’wester, standing on the shoulders of another. With judicious fine tuning this production could really shine.