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Available Light review at Palace Theatre, Manchester – ‘living, breathing performance history’

Available Light at Palace Theatre, Manchester. Photo: Joel Chester Fildes

Live performance is inescapably trapped in the present. Available Light, showing as part of the Manchester International Festival, is 34 years old (that’s: the same age as Blue Monday in Manchester years).

Originally commissioned by the Museum of Contemporary Art in Los Angeles for the opening of its Temporary Contemporary space, it’s now sold on the headline super-group creators – choreographer Lucinda Childs (perhaps still best known for the movement in Robert Wilson’s Einstein on the Beach), composer John Adams (later: Nixon in China, Death of Klinghoffer) and the architect Frank Gehry (later: Guggenheim Museum, Bilbao) – as an opportunity to see some living, breathing performance history.

Adams here sounds like a composer experimenting with the edges of American serialism; a somehow muddier, less crowd-pleasing version of Philip Glass’ crystalline arpeggios.

Gehry’s stage design – giving no hint as to the direction of his later work – offers a pale fore-stage, and a first floor rear-stage, raised up on five metal cages, with a a metal fence backdrop, over which the lighting alternates between red and white.

Against this, Childs’s choreography creates increasingly complex patterns, with the 11-strong corps – male and female, dressed in red, white or black pants ’n’ sash combos, somehow redolent of ancient Rome – spaced out over the two levels, dancing what feel like “quotations” from ballet, in ever-changing, ever more complex formations.

Essentially, the piece (now) seems to exist as a series of formal exercises, through which we can perceive the three and a half decades of artistic innovation that followed.

Verdict
A exercise in retro choreography evoking an earlier era of American artistic innovation

Production

Production
Available Light
Venue
Palace Theatre
City
Manchester
Starts
July 6, 2017
Ends
July 8, 2017
Press night
July 6, 2017
Composer
John Adams
Choreographer
Lucinda Childs
Set
Frank Gehry (
Lighting
Beverly Emmons, John Torres
Sound
Mark Grey
Production manager
Pomegranate Arts
Cast includes
Katie Dorn, Kate Fisher, Sarah Hillmon, Anne Lewis, Vincent McCloskey, Sharon Milanese, Benny Olk, Patrick John O’Neill, Matt Pardo, Lonnie Poupard Jr, Caitlin Scranton, Shakirah Stewart
Producer
Pomegranate Arts
Running time
55mins