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Natasha, Pierre and the Great Comet of 1812 review on Broadway – ‘atmospheric and open-hearted’

Josh Groban and the cast of Natasha, Pierre, and the Great Comet of 1812. Photo: Chad Batka

This new musical adaptation of Tolstoy’s War and Peace, which started life Off-Broadway at a 99-seat theatre, has been scaled up for Broadway. Director Rachel Chavkin and set designer Mimi Lien have maintained the original’s inviting intimacy in this immersive production.

The sung-through show, with book, music, and lyrics by Dave Malloy, creates a beautiful, soaring and anachronistic world, even if the music remains aloof.

Lien transforms a proscenium theatre into a glittering supper club, with serpentine runways between seats and a sizeable portion of the audience seated on stage. Chavkin has the actors perform among the audience and engage in gentle interaction. The multicultural ensemble, dressed like bohemian club kids rocking out in Imperial Russia, makes clear this is no traditional adaptation.

Denee Benton in Natasha, Pierre, and the Great Comet of 1812. Photo: Chad Batka
Denee Benton in Natasha, Pierre and the Great Comet of 1812. Photo: Chad Batka


In short, Natasha (Denee Benton) is engaged to a prince away at war. In his absence, she falls for the vain Anatole (Lucas Steele) who reciprocates, but also incestuously clings to his sister, Helene (Amber Gray). Unfaithful Helene is married to the kind, bookish Pierre (Josh Groban).

The complicated narrative, with overwrought romantic plot, is kept in check by delightfully self-aware humour in the direction. Rousing ensemble numbers and delicate ballads sung by Groban and Benton are Malloy’s strongest compositions, but many expository songs drag. Malloy’s music often feels more coolly intellectual than gripping.

Yet the cast members (many making their Broadway debuts) bring heart. Denton beams as the ebullient Natasha. Groban inflects his supporting character with a sweet dorkiness. Gray, with every charismatic glance, draws you in.

Atmospheric production and open-hearted performances warm War and Peace adaptation in which the stand-offish music chills


Natasha, Pierre and the Great Comet of 1812
Imperial Theatre
New York
October 18, 2016
April 23, 2017
Press night
November 13, 2016
Dave Malloy (book/music/lyrics/orchestrations), Leo Tolstoy (novel)
Rachel Chavkin
Musical director
Or Matias
Sam Pinkleton
Mimi Lien
Bradley King
Nicholas Pope
Paloma Young, Leah J Loukas (hair/wigs)
Hudson Theatrical Associates (technical supervision), Roseanna Sharrow (company manager), Sonny Paladino (music supervision)
Stage manager
Karyn Meek
Cast includes
Denee Benton, Josh Groban, Brittain Ashford, Gelsey Bell, Nicholas Belton, Nick Choksi, Amber Gray, Grace McLean, Paul Pinto, Scott Stangland, Lucas Steele
Howard and Janet Kagen, Paula Marie Black, American Repertory Theater, Ars Nova
Running time
2hrs 30mins