dfp_header_hidden_string

Get our free email newsletter with just one click

It Runs in the Family review at the Mill at Sonning – ‘contagious laughter’

Scene from It Runs in the Family at the Mill at Sonning. Scene from It Runs in the Family at the Mill at Sonning. Photo: Geraint Lewis

Ray Cooney’s comedies offer few big surprises.  The audience knows to expect a manic farce with mistaken identities and a series of frenzied entrances and exits coupled with increasingly improbable situations. But crass as it can sometimes be, farce is an art-form and the team at the Mill at Sonning, as proven in the past, knows how to carry it off.

Set in a hospital, Cooney’s early 1990s play It Runs in the Family is full of exaggerated plot convolutions as various members of the medical profession tell lie upon lie to cover their own reputations.

The cast of Ron Aldridge’s production work incredibly hard.  Nick Wilton, as Dr Hubert Bonney, is a delightfully eccentric stooge to Harry Gostelow’s “pillar of the community” Dr Mortimore, the leading physician.

Brian Hewlett has an entertaining cameo part as Bill, the elderly patient who unwittingly gets caught up in things, and there are credible performances from Jonathan Niton as the Police Sergeant and Sam Ruane as Mortimore’s long-lost son Leslie, who both provide an earnest and calmer counterbalance to the mania around them.

Sarah Ogley is superb as the former nurse who delivers the news to Mortimore that he fathered her son 18 years ago.  There is also some great supporting work from the rest of the cast, playing a myriad of characters and all contributing to the pace of the piece and the building up of laughs.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
Verdict
Ray Cooney’s hospital comedy delivers contagious laughter
^