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In Parenthesis review at the Royal Opera House – ‘technically exceptional’

100 years ago, 57,000 British soldiers died on the first day of the Battle of the Somme, with more than one million losses on both sides by the time this particular confrontation came to an end five months later. Welsh National Opera has marked the appalling carnage by commissioning a new opera from 36-year-old English composer Iain Bell.

He sets a libretto based on the 1937 poem of the same name by the painter and writer David Jones, which was hugely admired by the likes of TS Eliot as one of the major works of art to derive from the First World War, during which its creator served in the Royal Welch Fusiliers. In both poem and opera, he’s represented by Private John Ball – a perfect dramatic fit as personified by tenor Andrew Bidlack, though the part taxes him vocally.

The chaos and misery of war register terrifyingly in David Pountney’s production, though a more mystical, folksy side of Jones’ text takes up a good deal of the less convincing second act, where the Queen of the Woods and her attendant dryads initially bring death and destruction to the soldiers but then bestow regeneration on the land and the dead.

Bell’s score is technically exceptional, with fine writing for soloists, chorus and orchestra and both an immediacy and a momentum that are entirely persuasive. Carlo Rizzi conducts an assured account of a piece that demonstrates a complete command of the operatic medium.

There are standout performances from the two narrators – Peter Coleman – Wright’s Bard of Britannia, doubling as HQ Officer, and from Alexandra Deshorties as the Bard of Germania, tripling as Alice the Barmaid and Queen of the Woods. Among many other striking contributions Donald Maxwell’s Dai Greatcoat, Graham Clark’s the Marne Sergeant and Mark Le Brocq’s Sergeant Snell are also memorable.

Verdict
WNO commemorates the Somme with Iain Bell’s technically exceptional new opera 

Production Information

Production
In Parenthesis
Venue
Royal Opera House
City
London
Starts
June 29, 2016
Ends
July 1, 2016
Press night
June 29, 2016
Librettist
David Antrobus, Emma Jenkins
Composer
Iain Bell
Director
David Pountney
Conductor
Carlo Rizzi
Set
Robert Innes Hopkins
Lighting
Malcolm Rippeth
Technical
Ian Douglas (company manager), Sian Price (head of costume), Ian Jones (head of lighting and sound), Sian McCabe (head of wigs and make-up), Jan Michaelis (technical director)
Stage manager
Kati Heath-Jones
Production manager
Robert Pagett
Cast includes
Andrew Bidlack, Peter Coleman-Wright, Alexandra Deshorties, Marcus Farnsworth, Mark Le Brocq, Donald Maxwell, Graham Clark
Casting
Isabel Murphy
Producer
Welsh National Opera
Running time
2hrs 15mins