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Haim: In the Light of a Violin review at the Print Room, London – ‘straight to the heart’

After a moment of contemplation, a violinist steps into the spotlight to play an aching melody. So begins the story of Haim Lipsky, a Polish-born Jewish boy who grew up in ‘Yiddishland’ – first in Lodz, then herded in the ghetto under Nazi occupation, before boarding the train to Auschwitz.

As raincoat-clad Melanie Doutey flits across the bare stage to tell his story, four musicians embody its players – in all senses. Lipsky’s recorded voice punctuates the action, sagely cutting through the intervening decades.

Initially the amplified narration seems booming and out of balance, but it’s a necessary technological concession when the musicians are in full flow. More problematically, occasional translations are missing from the surtitles, though the cast ably conveys the story.

Music is as central to Haim: In the Light of a Violin as to the life of its protagonist. It is his spiritual support and ultimate saviour, since he avoids execution by playing in the camp orchestra – as much a source of guilt as relief.

Pianist Dana Ciocarlie and violinist Yair Benaim add classical polish, gleefully joining in with raucous klezmer from accordionist Alexis Kune and clarinettist Samuel Maquin (Les Mentsh). From the carefree songs of pre-war childhood, the versatile ensemble progress to the chord-crashing trauma of the famine-stricken ghetto and the death camp’s wailing clarinet. Mendelssohn’s violin concerto (the work of a German Jewish composer) allows Benaim to demonstrate his considerable virtuosity at a particularly spellbinding moment.

Whether it’s a concert or a memory play, form is irrelevant: Haim’s emotional impact, its repudiation of inhumanity and its message of hope speak straight to the heart.

Verdict
Powerful depiction of a Jewish violinist’s horrific experience in Auschwitz and ultimate salvation through music

Production Information

Production
Haim: in the Light of a Violin
Venue
Print Room at the Coronet
City
London
Starts
June 11, 2016
Ends
June 21, 2016
Press night
June 13, 2016
Authors
Gerald Garutti, Christopher Hampton (translation)
Director
Gerald Garutti
Lighting
Jerome Delporte
Sound
Olivier Renet
Costume
Thibaut Welchlin
Cast includes
Melanie Doutey, Dana Ciocarlie, Yair Benaim, Alexis Kune, Samuel Maquin
Producer
Laurent Letrillard
Running time
1hr 30mins