Get our free email newsletter with just one click

Troublesome People

Brighton Festival Fringe. Photo: Dade Freeman Photo: Dade Freeman
by -

Opening at Brighton Fringe before touring to other festivals, this new play from UK-based US writer Jill Haas – set during the Second World War – feels pertinent in today’s climate, as governments and media fixate on migrants, refugees and other ‘troublesome people’.

Haas spotlights a disparate group affected by the war, but not because they fought in it. Ordered to semi-internment on a farm on a barbed wire-fenced Isle of Man, married conscientious objectors, a German boy and a wealthy German-Jewish woman fleeing Nazi persecution struggle to adapt to lives restricted by their wartime status.

Skilfully directed by Frank Simms, this production captures the look and feel of the time, with bursts of radio evoking the world outside the farmhouse kitchen. A stellar cast brings to life the fractiousness of people thrust together and rebelling. Harry Owens is particularly good as conscientious objector Sam Bankes, mixing conviction with educated smugness.

The play stumbles over exactly how and when to end. But with the Isle of Man as a microcosm, Haas lucidly and compassionately lays out a Britain hardened by war into zealous patriotism and suspicion of ‘foreign’ and dissenting voices, inflamed by a blind-eyed government fudging its response to a complex situation.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
A lucid, beautifully acted insight into a different type of wartime experience