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The Lighthouse review at Royal Opera House, London – ‘shows signs of distinction’

Yuriy Yurchuk in The Lighthouse at the Linbury Studio Theatre, Royal Opera House, London. Photo: Tristram Kenton

Despite the recent news that he is undergoing a second course of chemotherapy following the re-emergence of his leukaemia, Peter Maxwell Davies, former master of the Queen’s music, gallantly joined the cast and creatives – almost all drawn from the Royal Opera House’s Jette Parker Young Artists scheme – for applause at the first night of this short run.

Davies’ The Lighthouse is an unsettling, claustrophobic and supernatural piece based on the unexplained disappearance of three keepers from an Outer Hebrides lighthouse in 1900. In part one, the three cast members play the three supply-ship officers who arrive at the abandoned lighthouse, the action intercutting between their individual examinations in an Edinburgh courtroom and their arrival at the remote lighthouse; part two goes back further still, following the keepers themselves: their boredom, bickering and ghostly hallucinations.

Alyson Cummins’ bare set, misty and darkly lit, is effective but could do even more to heighten the sense of claustrophobia. David Shipley, as bible-bashing Arthur, has a capacious bass and an eloquent expression of outward stoicism. Samuel Sakker (Sandy) is winningly lyrical in his upper range and moves seamlessly into falsetto; he comes into his own in his mildly erotic music-hall aria, accompanied by cello and pub-style piano. Yuriy Yurchuk (Blazes) left us in no doubt that he is the roughest of the three keepers.

However, the singers couldn’t always compete with the ensemble in the pit, leading to some masking of the words. If the drama acquires more dark intensity and the playing beds down some more, this will be a very powerful production.

Verdict
Promising production that shows signs of distinction

Production Information

Production
The Lighthouse
Venue
Royal Opera House, Linbury Studio Theatre
City
London
Starts
October 22, 2015
Ends
October 24, 2015
Press night
October 22, 2015
Librettist
Peter Maxwell Davies
Composer
Peter Maxwell Davies
Director
Greg Eldridge
Conductor
Jonathan Santagada
Set
Alyson Cummins
Lighting
Warren Letton
Costume
Alyson Cummins
Technical
Sharon Marlowe (costume supervisor), Melnanie Bouvet (hair/make-up supervisor), Elizabeth Arklie, Orsolya Gesztesi (hair/make-up), Martin Adams (Linbury technical manager)
Stage manager
Kyrie Feltham
Production manager
Jenny Wheeler
Cast includes
Samuel Sakker, Yuriy Yurchuk, David Shipley
Producer
Royal Opera
Running time
1hr 20mins