Master of the Macabre review, the Vaults, London – ‘keeps the audience guessing’
The Vaults beneath Waterloo station has proven itself a fitting venue for immersive work, earlier this year playing host to theatrical experience Alice’s Adventures Underground. But here the subterranean tunnels take a decidedly darker turn for Master of the Macabre, the first solo stage show by magician Benedict Barber.
The show’s autobiographical thread begins with the playground trickery that inspired Barber as a young boy. There are clever card games, live creepy crawlies and we are even taught some sleight of hand – “the kind you can do at Christmas when you’re pissed”.
It’s all standard fare, albeit executed with theatrical flare by Barber, who is a natural showman, but a less natural actor – the heightened persona wears a bit thin at times. It is in the second act though that he brings out the real theatrics and ramps up the tension.
One thing Barber – who was discovered performing in Covent Garden – has mastered is the art of a build-up. While the show’s final moments veer towards absurdity, there is no doubt that he can keep an audience enthralled (gasps and shrieks included).
It is undeniably clever, and director and fellow magician Tony Middleton ensures the production keeps the audience guessing all the way out the door.
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.