dfp_header_hidden_string

Get our free email newsletter with just one click

Lady Anna – All at Sea

Scene from Lady Anna – All at Sea at Park Theatre, London. Photo: Simon Annand Scene from Lady Anna – All at Sea at Park Theatre, London. Photo: Simon Annand
by -

A conventional dramatisation of Trollope’s familiar potpourri of class, money, love and duty was never going to cut it at Park Theatre. Commendably, the Trollope Society, commissioning Craig Baxter’s play, has backed a vision in which Brechtian techniques are fused with Victorian mores.

On a pale set circumscribed and littered with hefty tomes – representative of Trollope’s prodigious output and on which characters stand to denote status – the cast gathers to discuss plot and format. Scenes from the novel are rapidly interspersed with those of the novelist at work on-board a steamship to Australia, a dissection of the literary process.

The signature mood is one of radical enquiry, individuals stepping Brecht-like out of character. The humour is knowing, playing with stagecraft and melodrama, a flat-footed Little Britain-style cross dresser among the crinolines.

Actors play several roles each, the addition of an apron or wig or an alteration in accent increasingly blatant, the audience conniving. The transparency comes at a cost, with many characters appearing mere ciphers. Tim Frances, though, is an empathetic Trollope, Caroline Langrishe is gloriously sensationalist, while Antonia Kinlay as Lady Anna grows in conviction. It is her low-born suitor, tailor Daniel, who is the moral heart of the play: Will Rastall plays him with quiet but fiery authority.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
Verdict
Fascinating juxtaposition of Brechtian alienation with Trollopian storytelling, but characters often fall flat
^