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Woman of Flowers

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Kaite O’Reilly’s play for Forest Forge takes elements of ancient Welsh myth and splices them with something more contemporary and sinister. Rose is a young deaf woman who has no memory of where she came from. She lives a restricted life – not allowed to read the newspaper or speak to strangers – on a farm at the edge of dark forest and the men of the house tell her she was magicked into existence to care for them, that she was born of flowers and has no past. Rose is increasingly unsure about these stories and her uncertainty only grows when she meets a kind stranger in the forest.

O’Reilly’s play was written for Sophie Stone, the first deaf actor to graduate from RADA and Stone’s strong performance anchors the production. She’s almost too forceful at times – it’s hard to believe she would only now be questioning who she was and where she came from. Kirstie Davis’ touring production fully integrates sign language and surtitles into the piece; conventional dialogue scenes are interspersed with Rose’s inner thoughts, performed using a theatricalised, dance-like form of signing. But, captivating as this often is, the mythic elements of the play don’t always sit easy with the harder, nastier things at the core of this story.

  • Pleasance, London
  • September 22-24 PN September 22, then touring until November 1
  • Author: Kaite O’Reilly
  • Director: Kirstie Davis
  • Producer: Forest Forge
  • Design: David Hamworth set, Dom Philips lighting
  • Technical: Rebecca Applin music, Jean St Clair BSL consultant, Kavi Briede video projection
  • Cast: Sophie Stone, Pete Ashmore, Tom Brownlee, Andrew Wheaton
  • Running time: 1hr 30mins
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The Stage
The Stage is a British weekly newspaper and website covering the entertainment industry, and particularly theatre. It was founded in 1880. It contains news, reviews, opinion, features, and recruitment advertising.
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