Following on from a successful run of The Merchant of Venice, the Malachites produce another engaging interpretation of a Shakespeare play with their staging of Richard II, which benefits from the suitably ornate St Leonard’s Church setting.
The production builds on Richard’s eccentricities. Nick Finegan plays the character as a flamboyant showman who self-consciously performs to the crowd. This is reinforced through costume, as Richard parades around in grey tights, wearing his prized crown and an indulgent gown, and thrives as a humorous, self-important figure.
Finegan confidently delivers his lines and seizes the comic value of the verse, pronouncing the lines slowly and gesturing towards the audience, especially during his interactions with Gaunt.
Despite the emphasis on humour within the first half of the production, Finegan is able to adapt to the more stretching elements of the role when his character hurtles towards breaking point. Richard’s loss of power is cleverly represented through the assured direction of Benjamin Blyth, who alternates between placing Richard and Bolingbroke Martin Prest on elevated positions on the balcony and at ground level.
Prest is an intriguing Bolingbroke and captures the audience’s full attention during the moving final moments of this powerful production.
- St Leonard’s Church, London
- July 2-July 28, PN July 4
- Author: William Shakespeare
- Director: Benjamin Blyth
- Associate director: Claire Dunlop
- Design: Brian Merry textiles, Shakespeare’s Globe costume
- Technical: Maahin Akhlaque assistant stage manager
- Cast includes: Nick Finegan, Danielle Larose, John McEnery, Stephen Connery-Brown, Claire Dyson, Martin Prest, Brian Merry
- Producer: Malachite Theatre Company
- Running time: 2hrs 50mins
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.