Get our free email newsletter with just one click

King Charles III

by -

Mike Bartlett’s wonderfully imaginative “future history play” is the fourth West End transfer for the Almeida Theatre inside a year. Its artistic director, Rupert Goold, is clearly on a roll. But will this story about what happens when Prince Charles inherits the throne from our present queen touch a chord with audiences?

Although this scarcely matters, the plot is a touch improbable: the minute that Charles III becomes monarch he picks a fight with his prime minister when he refuses to give royal assent to a parliamentary bill that curtails press freedom. As this constitutional crisis intensifies, what side will the next generation, William and Kate, take?

While the ghost of Princess Diana haunts Buckingham Palace, Prince Harry, in a subplot, meets Jess, an anarchist art student, and he has to choose between love and duty. Yes, it’s a Shakespearean situation that carries conscious echoes of Hamlet and Macbeth, as well as of the history plays – uneasy lies the head that wears the crown.

On a West End stage, the effect of Bartlett’s blank verse is more resonant than ever, and with the Scottish referendum and Kate’s pregnancy in the news, the relevance of the play is greater than ever. Compared with the original production, this staging is faster, funnier and more exciting.

Goold’s direction is excellent, and Tom Scutt’s set artfully mimics the back wall of the Almeida while Jocelyn Pook’s music makes a fine contribution to the overall effect. But most important are the actors, who all paint compellingly impressionistic pictures of the people they represent. Tim Pigott-Smith’s Charles, Oliver Chris’ William and Lydia Wilson’s Kate are particularly impressive, although this is very much an ensemble piece.

  • Wyndham’s Theatre, London
  • September 2-November 29, PN September 11
  • Author: Mike Bartlett
  • Director: Rupert Goold
  • Design: Tom Scutt set, Jocelyn Pook composer, Jon Clark lighting, Paul Arditti sound
  • Technical: Joyce Nettles casting, Anna Morrisey movement, Alison Bomber voice, Belinda Sykes musical director/musician, Anna-Helena McLean musician
  • Producers: Almeida Theatre/Sonia Friedman/Stuart Thompson
  • Cast: Katie Brayben, Oliver Chris, Richard Goulding, Nyasha Hatendi, Adam James, Margot Leicester, Tim Pigott-Smith, Miles Richardson, Tom Robertson, Nicholas Rowe, Tafline Steen, Lydia Wilson
  • Running time: 2hrs 35mins

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

Subscribers to The Stage get 10% off The Stage Tickets’ price
The Stage
The Stage is a British weekly newspaper and website covering the entertainment industry, and particularly theatre. It was founded in 1880. It contains news, reviews, opinion, features, and recruitment advertising.