We’re Going on a Bear Hunt review at Lyric Theatre London
Loved as it is, Michael Rosen’s story of a Dad and his kids and their sheepdog going on a bear hunt through squelchy squerchy mud and much else besides isn’t the longest in my five-year-old’s list of favourites (in fact there’s usually a demand for a supplementary story on Bear Hunt nights round my way).
But in Sally Cookson’s brilliantly inventive and engaging production, the tale is stretched out on a simple stage without being distorted or harmed. Accompanied by Benji Bower’s upbeat and catchy tunes, the cast bring each part of the adventure – river, forest, mud flat and snowstorm – to vivid life and with immense economy and imagination. The river crossing is skilfully evoked with some tubs of water, while the mud crossing involves some delightfully mucky painting. This makes the dramatic arrival of a ‘snowstorm’ which envelops the audience all the more dramatic.
The look is faithful to Helen Oxenbury’s beautiful illustrations from the book although each character is fleshed out with just enough detail to bring them to life. So Duncan Foster’s likable Dad is a child-like adventurer, but one whose children are not averse to mocking while the latter bring the naughtiness of the illustrations to life. Ben Harrison, who also plays the music, is a particularly engaging dog.
I also loved the prosthetic baby whose wobbly head and funny expression made it almost cuter than the real thing; but of course the coup de grace has to be the bear, and this one – not too scary, not too silly just silly enough – is worth waiting for.
Lyric Theatre, London, July 3-September 8
- Michael Rosen (adaptation by Sally Cookson)
- Sally Cookson
- KW and NB Ltd
- Duncan Foster, Rowena Lennon, Gareth Warren, Ben Harrison, Gavin Swift
- Running time
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.