Rafi, Ami and Bili are sisters. They’re independent women. They live their best lives. Their mother, Wura Bakare, is a hoarder. The sisters grew up...

It is possible to make a non-narrative ballet from a literary classic, as Crystal Pite’s The Tempest Replica and Wayne McGregor’s Woolf Works have...

Martyn Hett was 29 years old when he was killed, along with 22 others, in the Manchester Arena bombing in 2017. Hett worked in...

Conceived after writer and actor Nyla Levy became frustrated with the types of 'jihadi bride' roles afforded to Muslim actresses, Does My Bomb Look...

They say that, since it premiered more than eight decades ago, not a day has gone by that Our Town hasn’t been performed somewhere...

Zinnie Harris has filleted John Webster’s great Jacobean revenge tragedy in a slick and streamlined adaptation. This is all lean meat and, in her...

The centrepiece of Rokia Traoré’s Brighton Festival guest directorship is this unique story-concert paying tribute to the ancient art of the griots. Forgoing her electric...

Inspired by the Names Project Aids Memorial Quilt, Elegies For Angels, Punks and Raging Queens is a song cycle that gives testimony to those...

Forget Wagner’s Ring: the largest of operatic cycles is Stockhausen’s Licht (Light), its seven parts each named after a day of the week. Licht still...

This is smartly done. Really smartly done. Cooked up by writer Ella Hickson and sound designer brothers Ben and Max Ringham, Anna is a...

The air is thick with the smell of incense. The Woman (Rochelle Rose) stands behind a wooden workbench. Directly above her head, a triangle...

Revived and reconfigured with a reduced cast for small-scale Highland touring, the National Theatre of Scotland's production of The Cheviot, the Stag and the...