REVIEWS

Kneehigh's revival of its hit Tristan and Yseult – premiering at the Brighton Festival before touring – is a vibrant, vivid whirlwind of a...

Sasha Regan’s all-male Gilbert & Sullivan productions are becoming a theatrical institution in their own right. For their success they depend on solid vocal...

An Octoroon is America's Red Velvet. Sort of. Like Lolita Chakrabarti's 2012 play, Branden Jacob-Jenkins' OBIE award-winning 2014 work finds a black presence in 19th-century theatre...

In her brief tenure at Shakespeare's Globe, Emma Rice has lit a fuse under the theatre's original mission to devote itself to historical recreation...

As night falls, a group of people gather under the concrete roof of a site near an east London car park. Come wind or...

The historical roots of Scotland's religious divisions are the inspiration for Linda McLean's Glory on Earth, which examines the relationship between the young Catholic...

This Twelfth Night opens in a jazz-age speakeasy and never really leaves there. Paul Hart’s playful production centres on the considerable musical talent of...

Circus is all about trust and support – having muscular strength and a confident mindset. Canadian company Flip Fabrique harnesses the metaphorical possibilities inherent...

With the heady smell of incense, challenging acoustics and sombre choral music, the church makes a rather excellent venue for Scena Mundi's production of...

Is something that’s had all of its parts removed and replaced still the same object? It’s a question begged by Jack Thorne's adaptation of...

The first and most important thing to say about Robert Hastie's inaugural production as artistic director at Sheffield Theatres is that the venue is...

Cimarosa’s Il Matrimonio Segreto was the runaway hit of 1792 following its first performance before Emperor Leopold II, who insisted upon an encore immediately...
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