REVIEWS

London’s Gate Theatre has form with iconoclastic adaptations of Greek tragedy, from 2014’s Idomeneus to Anne Louise Sarks' Medea last year. This quadrilogy cements...

The year is 1966. Catholic couple Vincent (Michael Condron) and Mary Gallagher (Kerri Quinn) have moved into a largely Protestant area of Belfast. An...

Billy keeps bees. It's not a typical hobby for a 10-year-old boy, but Billy isn't your typical 10-year-old boy. Billy has ADHD, four little...

Drawing on her own experiences of life with cerebral palsy, Athena Stevens gives a hugely committed performance in this engaging two-hander about expectation and...

Agamemnon's Return, the opening play of Zinnie Harris’ This Restless House, an adaptation of Aeschylus' Oresteia, is saturated in sex. The trilogy is spread...

It feels like we’re in an interesting place right now when it comes to women discussing their sexual identity on stage. Lindsay Dukes’ solo...

Known for musicals such as Ragtime, Rocky and Dessa Rose, Lynn Ahrens and Stephen Flaherty initially collaborated on this adaptation of The Man Who...

Colab Theatre’s latest immersive production, Crooks, gives audiences the chance to do their best impression of Tom Hiddleston in The Night Manager: can you...

Pouncing unexpectedly on Broadway in 1962, Who’s Afraid of Virginia Woolf?, Edward Albee’s drama of marital disintegration and psychotic mind games is a play...

This astonishing musical is part thrilling re-construction and part vivid deconstruction of the process of putting on a 1921 Broadway show that had had...

Improbable’s new production, opening Skinner’s Box, depicts ten scientific experiments first catalogued in Lauren Slater’s eponymous 2004 book. Following the laundry-bedecked touring version of...

Gotthold Ephraim Lessing's Emilia Galotti is hailed as the epitome of European bourgeois tragedy, which shocked audiences in its brutality yet remains open to...
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