To survive, theatre must change – a ‘return to normal’ is not an option

Equity: Employers should not require workers to be double-jabbed

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

Recommended for you

Immersive Great Gatsby announces London return this autumn

Equity: Employers should not require workers to be double-jabbed

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Rules have been relaxed but the crisis for theatre still has a long way to go

Theatre has become a money-making machine. We have a chance to change

How can we support freelancers? Give them salaries and a seat at the table

Opinion

Latest
Most Read

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

Rules have been relaxed but the crisis for theatre still has a long way to go

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Exquisite Drury Lane revamp is a gift to future generations

Stitched up: Commercial producers need to work with designers to avoid a costume crash

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Customer Experience Team Mem...

Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

Jobs

Manchester £9.01/hour

Relationship Manager, Dance ...

Birmingham or Nottingham Office £32,615 per annum

eCommerce Executive (Campaign)

London £27,000 per annum

Casual Technicians (Lighting...

Liverpool

Production Assistant (Matern...

Liverpool

Technical Operations Manager

London £45k pro rata (min....

Theatre & Performing Arts Te...

North Yorkshire

Communications Manager & Mar...

London

Backstage and Technical

London

Production Co-ordinator

London £25,000-£30,000 per...

London

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London £45,000 (pro rata f...

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MIKE in EWAN MACCOLL: MANCHE...

Castings

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

Exeter and Touring Paid

Lighting Technician in Frien...

Heaton Park, Manchester Paid

Video Content Presenter in P...

London Paid

Stage Manager in Friendsfest...

Heaton Park, Manchester Paid

Camera Operator in Friendsfe...

Heaton Park, Manchester Paid

Immersive Great Gatsby announces London return this autumn

Equity: Employers should not require workers to be double-jabbed

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Recommended for you

Immersive Great Gatsby announces London return this autumn

Equity: Employers should not require workers to be double-jabbed

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Stage Directions: Colin McCredie – ‘I liked the absence of professional jealousy during the pandemic’