The West End is facing its most radical shake-up in decades

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Theatregoers happy to return – your views, August 4

Your viewsby The Stage

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Recommended for you

'Visa-free touring for performers in 19 EU countries' announced by government

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Theatregoers happy to return – your views, August 4

Your viewsby The Stage

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

Post-pandemic, theatres must stop penalising single-ticket buyers

Without swift action it won’t just be Cinderella facing Closure Day

Compulsory masks in theatres would give audiences the confidence to return

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Post-pandemic, theatres must stop penalising single-ticket buyers

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Customer Experience Team Mem...

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

Jobs

Manchester £9.01/hour

Relationship Manager, Dance ...

Birmingham or Nottingham Office £32,615 per annum

eCommerce Executive (Campaign)

London £27,000 per annum

Casual Technicians (Lighting...

Liverpool

Production Assistant (Matern...

Liverpool

Technical Operations Manager

London £45k pro rata (min....

Theatre & Performing Arts Te...

North Yorkshire

Communications Manager & Mar...

London

Backstage and Technical

London

Production Co-ordinator

London £25,000-£30,000 per...

London

Cardiff Bay

London £45,000 (pro rata f...

Performing Arts Technician (...

Solihull

Retail Supervisor

London

MIKE in EWAN MACCOLL: MANCHE...

Castings

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

Exeter and Touring Paid

Lighting Technician in Frien...

Heaton Park, Manchester Paid

Video Content Presenter in P...

London Paid

Stage Manager in Friendsfest...

Heaton Park, Manchester Paid

Camera Operator in Friendsfe...

Heaton Park, Manchester Paid

'Visa-free touring for performers in 19 EU countries' announced by government

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Theatregoers happy to return – your views, August 4

Your viewsby The Stage

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Recommended for you

'Visa-free touring for performers in 19 EU countries' announced by government

Further £150 million released for previous Culture Recovery Fund recipients