The loss of Trafalgar Studios 2 leaves a void for fresh talent in the west end

SUBSCRIBE

Arlene Phillips’ joyful Olivier win was a rare example of a justified ovation

How do the Olivier Awards actually work?

Making a musical? Be sure to ask why

David Tennant's Macbeth lands West End transfer

Production News by Katie Chambers

The arts are not a frivolity – when will the government understand that?

Opinion by Josette Bushell-Mingo

RSC and NT join election manifesto calling for 'radical new action' in sector

News by Katie Chambers

Edinburgh new-writing showcase closes after rejected funding bid

News by Fergus Morgan

The arts are not a frivolity – when will the government understand that?

What we’ve learned from 100 NT Live productions

Eleanor Lloyd is right to link arts skills to our survival as a species

Reducing theatre's importance to market and status strips it of its real value

Climate protests may result in the return of the fourth wall – a fortified one

The changing face of theatre investment – is this the end of an era?

Olivier Awards 2024: who should and who will win this year?

How do the Olivier Awards actually work?

Predatory autograph hunters outside theatres pose a dangerous risk

Arlene Phillips’ joyful Olivier win was a rare example of a justified ovation

Illegible seat numbers and indulgent pauses – my theatrical pet hates

Oliviers 2024: slickest and sparkliest ceremony in memory

Recommended for you

David Tennant's Macbeth lands West End transfer

Production News by Katie Chambers

The arts are not a frivolity – when will the government understand that?

Opinion by Josette Bushell-Mingo

RSC and NT join election manifesto calling for 'radical new action' in sector

News by Katie Chambers

Edinburgh new-writing showcase closes after rejected funding bid

News by Fergus Morgan

David Benedict has been a daily columnist and theatre editor on the Independent and arts editor of the Observer. He is chief London critic of Variety, a regular guest on the BBC, and is currently writing the authorised biography of Stephen Sondheim. Read David's columns for The Stage every Wednesday.

More from this author

Arlene Phillips’ joyful Olivier win was a rare example of a justified ovation

How do the Olivier Awards actually work?

Making a musical? Be sure to ask why

Opinion

Latest
Most Read

The arts are not a frivolity – when will the government understand that?

What we’ve learned from 100 NT Live productions

Eleanor Lloyd is right to link arts skills to our survival as a species

Reducing theatre's importance to market and status strips it of its real value

Climate protests may result in the return of the fourth wall – a fortified one

The changing face of theatre investment – is this the end of an era?

Predatory autograph hunters outside theatres pose a dangerous risk

Arlene Phillips’ joyful Olivier win was a rare example of a justified ovation

The changing face of theatre investment – is this the end of an era?

Reducing theatre's importance to market and status strips it of its real value

What we’ve learned from 100 NT Live productions

Eleanor Lloyd is right to link arts skills to our survival as a species

Advice

Creative Well's Nadine Page: 'Prioritise self-care and mental well-being alongside artistic pursuits'

by John Byrne

Conrad Murray: 'If you have ideas and characters that you are dying to play, let people see them'

by John Byrne

Could the US approach to tuition-free drama schools spread to the UK?

by Fergus Morgan

The Stage Scholarships 2024: win free training at Razzamataz

by Paul Vale

'Fit for next generation': theatre leaders on vision for ACE's future

Leaders from across the sector have outlined their vision for a reformed Arts Council England, warning that an unchanged funding body could stoke competition for cash in a current ‘binary system of extremes’

David Tennant's Macbeth lands West End transfer

The Donmar Warehouse’s Macbeth, starring David Tennant and Cush Jumbo, will transfer to the West End this October.

Jobs

Senior Producer

Dundee Salary: £30,000 - £...

The loss of Trafalgar Studios 2 leaves a void for fresh talent in the West End

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

More about this organisation

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital