The loss of Trafalgar Studios 2 leaves a void for fresh talent in the west end

News

Reviews

More

Opinion & Advice

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

More from this Author

A new take on The Turn of the Screw shows the potential of mixing forms

A sad tale’s best for winter? Not in 2021

Annilese Miskimmon is a good choice to produce ‘bankers’ at ENO

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

News by Matthew Hemley

Campaign fighting lack of roles for older women wins Equity backing

News by Georgia Snow

Producers call for latest CRF funding to help commercial touring

News by Matthew Hemley

Culture in Lockdown: Morgan Lloyd Malcolm – ‘I’m aching to make a silly show from scratch in a tiny theatre somewhere’

Features by Fergus Morgan

525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

Is it time to think differently about theatre buildings?

At a time of desperate need, theatres overlook local talent at their peril

Seyi Omooba tribunal result is a huge relief, but not a cause for celebration

The BBC’s ‘greatest songs from musicals’ poll contained some telling omissions

Risky business: how will we know when it’s ‘safe’ to return to theatres?

We must help drama teachers prove the undeniable value of arts in education

Recommended for you

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

News by Matthew Hemley

Campaign fighting lack of roles for older women wins Equity backing

News by Georgia Snow

Producers call for latest CRF funding to help commercial touring

News by Matthew Hemley

Culture in Lockdown: Morgan Lloyd Malcolm – ‘I’m aching to make a silly show from scratch in a tiny theatre somewhere’

Features by Fergus Morgan

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

More from this author

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Putting Dorian Gray on Insta could be just Wilde

UK hit It’s a Sin shows how far we’ve come, but the work began in the US

Opinion

Latest
Most Read

525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

Will Covid stub out the tangible thrill of tickets and the history they bring?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Our community work at the Donmar is as important as anything on our stage

Innovation is nothing new to theatre – so let’s take digital risks

Advice

What does the future of dance training look like post-Brexit?

by Sarah Lambie

Video artist Paula Varjack: ‘After a temporary role, I had to re-interview for my own position’

by John Byrne

ICMT principal Kenneth Avery-Clark: ‘Learn about business and treat yourself as one’

by John Byrne

Win free training at Fourth Monkey with The Stage Scholarships

by Paul Vale

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

Jobs

Project Manager, Audience In...

UK Wide £32,615

The loss of Trafalgar Studios 2 leaves a void for fresh talent in the West End

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

More about this organisation

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access