The ever-changing calculus of Broadway’s shutdown

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Howard Sherman

Howard Sherman is a New York based arts administrator and advocate. He is director of the Arts Integrity Initiative at The New School for P...

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Howard Sherman is a New York based arts administrator and advocate. He is director of the Arts Integrity Initiative at The New School for Performing Arts. Howard is a regular contributor to The Stage. Read his latest column every other Friday.

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Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Data can help theatre tackle inequality, but beware over-optimistic claims

Will Diana musical usher in a new era of stage and screen partnerships?

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Data can help theatre tackle inequality, but beware over-optimistic claims

In the best retellings of Cinderella, the element of surprise stands out

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The ever-changing calculus of Broadway’s shutdown

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