Lyn Gardner: The big test for Culture Recovery Fund winners: will they use it for change?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Rules have been relaxed but the crisis for theatre still has a long way to go

Theatre has become a money-making machine. We have a chance to change

Opinion

Latest
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Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

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We look back to 21 years ago in The Stage when we reported that Andrew Lloyd Webber’s Really Useful Group was to take production of its theatre programmes in-house and sell tickets online

Life at full capacity: theatres report mixed ticket sales and audience division

Two weeks since theatres in England have been allowed to operate at full capacity, venues are reporting a mixed response from audiences

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The big test for Culture Recovery Fund winners: will they use it for change?

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