David Benedict: Relic to revelation – how The Boys in the Band came back to play Broadway

More

Opinion & Advice

Promoted Content

The Stage Archive

West End

Musical Theatre

Backstage & Technical

Obituaries & Archive

Opera

Dance

Awards

Jobs & Auditions

Training & Drama Schools

Hot Topics

Broadway & International

Acting & Performance

Edinburgh Fringe

Shakespeare

Pantomime

David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

More from this Author

A new take on The Turn of the Screw shows the potential of mixing forms

A sad tale’s best for winter? Not in 2021

Annilese Miskimmon is a good choice to produce ‘bankers’ at ENO

More on this topic

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quote UnQuoteby The Stage

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

News by Giverny Masso

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Features by Fergus Morgan

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Recommended for you

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quote UnQuoteby The Stage

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

News by Giverny Masso

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Features by Fergus Morgan

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

More from this author

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

What’s the secret to a great adaptation? Focus on form as well as content

From The Sound of Music to Glee, the path to Schmigadoon! is paved with box-office gold

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

What are the options for drama training in Scotland?

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Most Commented

Grimm Tales

Grimm Tales

Dukes Theatre’s family show at Williamson Park has strong performances but lacks fire

Most Shared

Life at full capacity: theatres report mixed ticket sales and audience division

Life at full capacity: theatres report mixed ticket sales and audience division

Two weeks since theatres in England have been allowed to operate at full capacity, venues are reporting a mixed response from audiences

Jobs

Customer Experience Team Mem...

Manchester £9.01/hour

Relationship Manager, Dance ...

Birmingham or Nottingham Office £32,615 per annum

eCommerce Executive (Campaign)

London £27,000 per annum

Casual Technicians (Lighting...

Liverpool

Production Assistant (Matern...

Liverpool

Technical Operations Manager

London £45k pro rata (min....

Theatre & Performing Arts Te...

North Yorkshire

Communications Manager & Mar...

London

Backstage and Technical

London

Production Co-ordinator

London £25,000-£30,000 per...

London

Scenic Cloth Painter

Cardiff Bay

Locations Manager

London £45,000 (pro rata f...

Performing Arts Technician (...

Solihull

Retail Supervisor

London

Castings

MIKE in EWAN MACCOLL: MANCHE...

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

Exeter and Touring Paid

Lighting Technician in Frien...

Heaton Park, Manchester Paid

Video Content Presenter in P...

London Paid

Stage Manager in Friendsfest...

Heaton Park, Manchester Paid

Camera Operator in Friendsfe...

Heaton Park, Manchester Paid

More on this topic

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quote UnQuoteby The Stage

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

News by Giverny Masso

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Features by Fergus Morgan

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

What are the options for drama training in Scotland?

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Recommended for you

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quotes of the Week, August 4: Anthony Alderson, Adrian Lester, Mena Suvari and more

Quote UnQuoteby The Stage

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

2022 Lancaster Playwriting Prize to focus on young LGBT+ writers

News by Giverny Masso

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

Features by Fergus Morgan

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

‘I’ve heard this year’s Edinburgh Fringe will be ‘hybrid’. What does that mean?’

Dear West End Producerby West End Producer

Most Read

Across The Stage this week

Delfont Mackintosh Theatres introduces Covid certification scheme

Immersive Great Gatsby announces London return this autumn

Actors fear losing work over lockdown weight-change as complaints to Equity surge

Prince of Egypt forced to cancel 11 further days of performances

Terence Rattigan: The rise, fall and rise again of a 20th-century great

Mark Rylance and Mackenzie Crook reunite for Jerusalem run

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Equity: Employers should not require workers to be double-jabbed

Bagdad Cafe

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £3.98

Newspaper

Opinion & Advice

More

Get Into Theatre

Info

Advertising Enquiries

Awards

The Stage Awards

The Stage Debut Awards

The Stage Edinburgh Awards

Legal

Terms and conditions

Advertising terms and conditions

Contributor agreement

Digital

Digital Editions

Subscribe

Subscribe

Start a subscription today from just £3.98

© Copyright The Stage Media Company Limited 2021