Producing a play in lockdown presents unexpected challenges

News

Reviews

More

Opinion & Advice

Pantomime

Richard Jordan has been producing a play in Norway over Zoom. Photo: Shutterstock

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read R...

More from this Author

A culture of abandonment will rob us of great theatre

A culture of revivals endangers the future of new writing

A poor season for Broadway musicals

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Opinion by Thom Dibdin

Isolation rules force Turbine to cancel My Night with Reg performances

Production News by Georgia Snow

Look closely across Scotland and you’ll find artists revolutionising theatre

Opinion by Simon Sharkey

Nica Burns: Producers should plan for all scenarios as tourism remains uncertain

News by Matthew Hemley

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Recommended for you

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Opinion by Thom Dibdin

Isolation rules force Turbine to cancel My Night with Reg performances

Production News by Georgia Snow

Look closely across Scotland and you’ll find artists revolutionising theatre

Opinion by Simon Sharkey

Nica Burns: Producers should plan for all scenarios as tourism remains uncertain

News by Matthew Hemley

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

Post-pandemic, theatres must stop penalising single-ticket buyers

Without swift action it won’t just be Cinderella facing Closure Day

Compulsory masks in theatres would give audiences the confidence to return

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

by John Byrne

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

by John Byrne

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

by John Byrne

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Edinburgh is bustling again, but this year’s fringe is much smaller than it was pre-Covid, says Thom Dibdin – now is our chance to reflect on better conditions for workers and performers, as well as improving access of all kinds

£7m government scheme to offer flexible apprenticeships to creative sector

Theatre employers will soon be able to benefit from a £7 million government fund set up to create more flexible apprenticeship opportunities in England

Jobs

Customer Experience Team Mem...

Manchester £9.01/hour

Producing a play in lockdown presents unexpected challenges

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access