Lyn Gardner: Independent work is beginning to go mainstream, but will it last?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Could a spiritual reawakening lead to the return of religious musicals?

The internal tug of war over whether to leave theatre or recommit is exhausting

What shows will audiences want when theatre returns?

With imagination, onscreen musicals can be more than theatre substitutes

The return of theatre won’t be an event – it will be a process

It was an earthquake for theatre in 2020 but now there is no better time to rebuild

Theatre is changed – things will never be the same, but that’s no bad thing

Embracing slowness would make theatre more thoughtful and inclusive

The loss of theatre businesses such as the Corner Shop in London should worry us all

What will 2021 hold? Theatre leaders share their hopes and fears

The return of theatre won’t be an event – it will be a process

Richard Jordan’s theatre quiz of the year 2020

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

Could a spiritual reawakening lead to the return of religious musicals?

The internal tug of war over whether to leave theatre or recommit is exhausting

What shows will audiences want when theatre returns?

With imagination, onscreen musicals can be more than theatre substitutes

The return of theatre won’t be an event – it will be a process

It was an earthquake for theatre in 2020 but now there is no better time to rebuild

The return of theatre won’t be an event – it will be a process

The internal tug of war over whether to leave theatre or recommit is exhausting

With imagination, onscreen musicals can be more than theatre substitutes

What shows will audiences want when theatre returns?

Embracing slowness would make theatre more thoughtful and inclusive

It was an earthquake for theatre in 2020 but now there is no better time to rebuild

Advice

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The Stage/Fourth Monkey Actor Training Company scholarship winners 2020

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Further £3m granted to Covid-hit Scottish performing arts organisations

Aberdeen Performing Arts, which operates His Majesty’s Theatre, the Aberdeen Music Hall and the Lemon Tree, will get the largest portion of the money, £1.4 million, while Eden Court in Inverness and Edinburgh’s Capital Theatres will both receive £800,000

Further £3m granted to Covid-hit Scottish performing arts organisations

Aberdeen Performing Arts, which operates His Majesty’s Theatre, the Aberdeen Music Hall and the Lemon Tree, will get the largest portion of the money, £1.4 million, while Eden Court in Inverness and Edinburgh’s Capital Theatres will both receive £800,000

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Independent work is beginning to go mainstream, but will it last?

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