If theatre is to stay relevant in our changing society, it must do better
Clockwise from top left: Jade Anouka, Julie Spencer, John Boyega and Natalie Ibu. Photos: Ethan Spencer-Farquharson, Manuel Harlan, Mathieu Ajan
For genuine support and equality of opportunity, structures must shift to give black artists the space, resources and assistance they need to fulfil their creative potential. Without these things, there will be no real diversity, no real solidarity, no real and lasting change, says Lyn Gardner
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or, even better, subscribe for unlimited access and help support independent journalism from as little as £5.99.