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Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read R...

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A culture of abandonment will rob us of great theatre

A culture of revivals endangers the future of new writing

A poor season for Broadway musicals

The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

Features by Michael Quinn

Stage Directions: James Purefoy – ‘I’ve missed moments in theatre when it feels like lightning is striking’

Features by Fergus Morgan

Lloyd Webber: Without government support now I could be forced to sell my theatres

News by Matthew Hemley

Innovation during pandemic can transform UK's culture – government report

News by Georgia Snow

Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

I love theatre, but not its damaging long-hours culture – it’s no way to live

How can we support freelancers? Give them salaries and a seat at the table

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

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The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

Features by Michael Quinn

Stage Directions: James Purefoy – ‘I’ve missed moments in theatre when it feels like lightning is striking’

Features by Fergus Morgan

Lloyd Webber: Without government support now I could be forced to sell my theatres

News by Matthew Hemley

Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

Without swift action it won’t just be Cinderella facing Closure Day

Compulsory masks in theatres would give audiences the confidence to return

Theatre runs on optimism but at the moment it's hard to muster

Opinion

Latest
Most Read

Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

The rules may be relaxing, but that doesn’t mean all theatre audiences are

What’s the secret to a great adaptation? Focus on form as well as content

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

Without swift action it won’t just be Cinderella facing Closure Day

Advice

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

by John Byrne

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

by John Byrne

Sterre Maier: 'You never know where one job may lead'

by John Byrne

Lottie Walker: 'I wouldn’t be doing my current show without my first job'

by John Byrne

The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

Sculptor, rock’n’roll singer and stage star – as well as a Guinness World Record holder – Tommy Steele has been a fixture of the entertainment world since the 1950s. The author of Steele’s new biography Sebastian Lassandro tells Michael Quinn more

Russells International Circus to launch touring academy from June 2022

Billed as the only active touring circus school within the UK, the Universal Circus Academy will run a six-week course each year, with students learning hands-on skills as well as creating their own act

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Customer Experience Team Mem...

Manchester £9.01/hour

Olivier Awards should have gone ahead in some form

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