Kate Maltby: Now is a time for development – let’s not rush to completion

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Kate Maltby

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New Y...

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I miss theatre buildings: the crowd, the sweets, and most of all the promise of an empty stage

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525,600 minutes later, US theatre still waits to reopen

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No dinner, no show: the death of Theatreland restaurateur Joe Allen feels grimly symbolic

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I miss theatre buildings: the crowd, the sweets, and most of all the promise of an empty stage

Opinion by Kate Maltby

One year on, let’s vow to return with greater support for emerging artists

Opinion by Lyn Gardner

Campaign fighting lack of roles for older women wins Equity backing

News by Georgia Snow

Producers call for latest CRF funding to help commercial touring

News by Matthew Hemley

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (Drama Section), London theatre critic for the New York Review of Books online and deputy chair of Index on Censorship.

More from this author

I miss theatre buildings: the crowd, the sweets, and most of all the promise of an empty stage

Calling out prejudice is vital – but not at the expense of valid criticism

Theatre’s digital future is to be welcomed, but it does raise questions

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I miss theatre buildings: the crowd, the sweets, and most of all the promise of an empty stage

One year on, let’s vow to return with greater support for emerging artists

525,600 minutes later, US theatre still waits to reopen

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

We need to reshape the industry. Here are some ideas for how to start

Is history repeating itself with the V&A and the Theatre Museum collection?

ENO’s new Ring Cycle is a bold statement and will not be one to miss

Innovation is nothing new to theatre – so let’s take digital risks

The challenge for fringe festivals post-Covid will be not to sacrifice creativity

One year on, let’s vow to return with greater support for emerging artists

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I miss theatre buildings: the crowd, the sweets, and most of all the promise of an empty stage

When we walk into a theatre, the empty stage is an offer and a promise, says critic Kate Maltby. It matters that society reserves some buildings just for telling stories

Audrey Niffenegger: 'I wasn't told about Time Traveller's musical – it's peculiar'

Author Audrey Niffenegger has revealed her surprise to learn about a musical based on her bestselling book The Time Traveller’s Wife, saying she knew nothing about it and describing the situation as “peculiar”

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Now is a time for development – let’s not rush to completion

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