Natasha Tripney: Exploring trauma on stage can make for powerful theatre but it can also take its toll

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

In 2021, theatre has a chance to cement the revolution begun in the 1960s

No Future

Reviews by Ben KulvichitCamden People’s Theatre/Online

Bond farewells: Screen trumps stage, even in death

In 2021, theatre has a chance to cement the revolution begun in the 1960s

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It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

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Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

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Natasha Tripney

Reviews Editor

Natasha is The Stage's reviews editor and joint lead critic.

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Bond farewells: Screen trumps stage, even in death

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Bond farewells: Screen trumps stage, even in death

Scott Rudin claims pose major test for West End

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

It’s time to champion disabled theatre talent with an inclusive recovery

Could cinema and theatre regain lost audiences with local collaboration?

Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

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Bridge House Theatre to be revived with focus on ‘socially conscious’ work

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

In 2021, theatre has a chance to cement the revolution begun in the 1960s

“Strange and discomfiting”

No Future

Reviews by Ben KulvichitCamden People’s Theatre/Online

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Advice

Polka’s Peter Glanville: ‘Every child should have access to creative activities’

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Recommended for you

Bridge House Theatre to be revived with focus on ‘socially conscious’ work

Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’

In 2021, theatre has a chance to cement the revolution begun in the 1960s