Natasha Tripney: Exploring trauma on stage can make for powerful theatre but it can also take its toll

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Natasha Tripney

Natasha is The Stage's reviews editor and joint lead critic.

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‘Evolution not revolution’ helps Dep Arts to grow 10 years on

‘Festival of Brexit’ is an exercise in nation-branding that’s likely to prove divisive

‘RoosevElvis is the smallest thing the Team has ever made’

Arcola to build outdoor theatre for socially distanced audiences

News by Georgia Snow

Finborough scoops top prize at London Pub Theatre Awards

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Theatres and producers rejected by recovery fund warn of uncertainty ahead

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Michael Balogun's leading role at the National proves viability of theatre

'In these challenging times, we must continue to push for progress'

Theatre’s adaptability is key – let’s not take it for granted

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

Oliviers return was welcome but missed the chance for a big statement

Digital must not become live theatre’s poorer cousin – audiences need both formats

We can learn from South Korea, where theatre has stayed open for business

The Stage’s message to government: act now to save theatre

Full house: What will auditoriums look like when theatres reopen?

The UK theatre sector must face the future together

Editor’s View: The big question is not when theatres will reopen, it's how

Rural touring could offer the quickest route out of lockdown

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Arcola to build outdoor theatre for socially distanced audiences

News by Georgia Snow

Finborough scoops top prize at London Pub Theatre Awards

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Theatres and producers rejected by recovery fund warn of uncertainty ahead

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London's Pleasance Theatre to restart live performance in reconfigured main house

Production News by Giverny Masso

Natasha Tripney

Natasha is The Stage's reviews editor and joint lead critic.

More from this author

Set design in the Covid era: how theatre's creatives are adapting to socially distanced spaces

We must be more open about the financial reality of working in the arts

‘Festival of Brexit’ is an exercise in nation-branding that’s likely to prove divisive

Opinion

Latest
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Michael Balogun's leading role at the National proves viability of theatre

'In these challenging times, we must continue to push for progress'

Theatre’s adaptability is key – let’s not take it for granted

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

Oliviers return was welcome but missed the chance for a big statement

Digital must not become live theatre’s poorer cousin – audiences need both formats

The Olivier Awards’ biggest challenge has nothing to do with the pandemic

Digital must not become live theatre’s poorer cousin – audiences need both formats

Oliviers return was welcome but missed the chance for a big statement

Creatives have proven their mettle this year – who we are isn’t being erased

Theatres must get used to social distancing – it’s what audiences want

These might be the last award ceremonies for a while – may they bring hope for theatre

Advice

How will Covid change technical theatre training?

by Sarah Lambie

Lauren Byrne: 'Don’t let competitiveness come between you and friends'

by John Byrne

Alex James-Hatton: 'Be nice, work hard, ask questions and try to have fun'

by John Byrne

Lauren Douglin: 'Feel the fear and do it anyway'

by John Byrne

Michael Balogun's leading role at the National proves viability of theatre

Michael Balogun’s path to leading man of the National Theatre proves that theatre jobs at viable – if only government would listen

Arts foundations link up to offer series of £20,000 grants to artists

Jerwood Arts, the Wolfson Foundation, the Esmée Fairbairn Foundation and the Linbury Trust have come together to launch the Live Work Fund for individuals working the performing arts and music in the UK