ao link
News
Reviews
Opinion & Advice
Big Interviews
Long Reads
Features
Podcasts
Cartoons
Promoted Content
Jobs
Castings
Training
Awards
Events
Suppliers
The Stage Archive
Subscribe
Register
or
Login
News
Reviews
More
Opinion & Advice
Big Interviews
Long Reads
Features
Podcasts
Cartoons
Promoted Content
The Stage Archive
Jobs
Suppliers
Castings
Training
Awards
Events
SUBSCRIBE
Remember Login
Register
|
Reset Password
Search
Search
Search
West End
Musical Theatre
Backstage & Technical
Obituaries & Archive
Opera
Dance
Awards
Jobs & Auditions
Training & Drama Schools
Hot Topics
Broadway & International
Acting & Performance
Edinburgh Fringe
Shakespeare
Pantomime
Lyn Gardner: We should really define success by the well-being of theatremakers
Opinion
Jul 15, 2019
by
Lyn Gardner
To continue reading this article you must be logged in
Register
or
login
to unlock 3 free articles every month
Or
subscribe
for unlimited access
Remember Login
Register
|
Reset Password
Lyn Gardner
Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.
More from this Author
15 things I won’t forget about 2020 and its impact on theatre
ACE had an impossible choice – divert funds or face catastrophe
'I never ask for money, I always ask for change’ – How transforming philanthropy can transform theatre
More on this topic
Mental well-being of offstage workers to be focus of webinar series
News
by Matthew Hemley
Scottish Ballet teams up with NHS on well-being sessions for health workers
News
by Georgia Snow
Demand for emergency support increases amid fears for freelancers’ well-being
News
by Giverny Masso
Mental health warning as theatre workers dip to ‘lowest place psychologically’
News
by Giverny Masso
Opinion
Latest
Most Read
Bond farewells: Screen trumps stage, even in death
In 2021, theatre has a chance to cement the revolution begun in the 1960s
Could cinema and theatre regain lost audiences with local collaboration?
It’s time to champion disabled theatre talent with an inclusive recovery
Scott Rudin claims pose major test for West End
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
Don’t give us a break – intervals are an outmoded, unnecessary theatre convention
In the best retellings of Cinderella, the element of surprise stands out
Scott Rudin claims pose major test for West End
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
Is Trafalgar Entertainment set to become ATG Mark II?
Why do so many newspaper columnists love to hate theatre?
Recommended for you
Mental well-being of offstage workers to be focus of webinar series
News
by Matthew Hemley
Scottish Ballet teams up with NHS on well-being sessions for health workers
News
by Georgia Snow
Demand for emergency support increases amid fears for freelancers’ well-being
News
by Giverny Masso
Mental health warning as theatre workers dip to ‘lowest place psychologically’
News
by Giverny Masso
Lyn Gardner
Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.
More from this author
In 2021, theatre has a chance to cement the revolution begun in the 1960s
Data can help theatre tackle inequality, but beware over-optimistic claims
Touring is theatre’s lifeblood, so we must protect it by supporting freelancers
Opinion
Latest
Most Read
Bond farewells: Screen trumps stage, even in death
In 2021, theatre has a chance to cement the revolution begun in the 1960s
Could cinema and theatre regain lost audiences with local collaboration?
It’s time to champion disabled theatre talent with an inclusive recovery
Scott Rudin claims pose major test for West End
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
Bond farewells: Screen trumps stage, even in death
Scott Rudin claims pose major test for West End
In 2021, theatre has a chance to cement the revolution begun in the 1960s
Cutting Phantom’s orchestra to save money dilutes the sumptuous original
It’s time to champion disabled theatre talent with an inclusive recovery
Could cinema and theatre regain lost audiences with local collaboration?
Advice
Polka’s Peter Glanville: ‘Every child should have access to creative activities’
by John Byrne
Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’
by John Byrne
Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'
by John Byrne
How will drama schools operate summer courses in 2021?
by Samantha Marsden
Most Commented
Quotes of the Week, April 21: Damian Lewis, Karen Olivo, Ian McKellen and more
Talking heads – the best quotes from theatre industry insiders over the last week
Most Shared
Josephine Lee and Chris Cox to star in magic show at West End's Palace Theatre
Jobs
Workshop Activity Host
London
£8.72 (under 23) an...
Apply
Digital Production Manager.
Belfast
£27,000 - £29,000 (...
Apply
Senior Tutors Dance & Musica...
London
£30,000-£32,000 dep...
Apply
Senior Officer, CRF Policy a...
UK Wide
£32,615
Apply
General Manager
London
Apply
Technicians
Colchester
Apply
Guest Experience Team - Host...
London
Apply
Agency Sales Account Manager
London
Apply
Pricing & Revenue Analyst
London
Apply
Scenic Metal Worker
Leicestershire,
Apply
Assistant Retail Manager
London
Apply
Venue Technician (Stage Engi...
London
£32,000
Apply
Technical and Building Manager
Oxford
Apply
Assistant Operations (SWB26 ...
Bristol
£23,160 (pro rata)
Apply
Production Technicians
London
Apply
Castings
Saxophonist in Cruise Ship E...
Cruise
Paid
Apply
Male Performers in The Seasons
Touring
Paid
Apply
Circus Style Performers in C...
Cruise
Paid
Apply
Contortionists in Cruise Shi...
Cruise
Paid
Apply
Pop Rock Acts in Cruise Ship...
Cruise
Paid
Apply
Comedy Acts in Cruise Ship E...
Cruise
Paid
Apply
International Singers for Pi...
Cruise
Paid
Apply
Party Duo in Cruise Ship Ent...
Cruise
Paid
Apply
Illusionists in Cruise Ship ...
Cruise
Paid
Apply
Pop Violinist Solo in Cruise...
Cruise
Paid
Apply
Mentalists in Cruise Ship En...
Cruise
Paid
Apply
Acrobatic Bikers in Cruise S...
Cruise
Paid
Apply
Bubble Artists in Cruise Shi...
Cruise
Paid
Apply
Country Bands in Cruise Ship...
Cruise
Paid
Apply
Party Trio in Cruise Ship En...
Cruise
Paid
Apply
More on this topic
Mental well-being of offstage workers to be focus of webinar series
News
by Matthew Hemley
Scottish Ballet teams up with NHS on well-being sessions for health workers
News
by Georgia Snow
Demand for emergency support increases amid fears for freelancers’ well-being
News
by Giverny Masso
Mental health warning as theatre workers dip to ‘lowest place psychologically’
News
by Giverny Masso
More about this organisation
Coronavirus: Lockdown could lead to more inclusive sector for carers – PIPA
News
by Matthew Hemley
PIPA report reveals strain on women and carers working backstage
News
by Matthew Hemley
Coronavirus: Theatres adapt to accommodate employees juggling day jobs and parenting
News
by Matthew Hemley
The Green Room: What does influence mean in our industry?
The Green Room
by Jon Dryden Taylor
Advice
Polka’s Peter Glanville: ‘Every child should have access to creative activities’
by John Byrne
Mark Thomas: ‘My first gig was a disaster – I watched myself die in the mirror’
by John Byrne
Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'
by John Byrne
How will drama schools operate summer courses in 2021?
by Samantha Marsden
Recommended for you
Mental well-being of offstage workers to be focus of webinar series
News
by Matthew Hemley
Scottish Ballet teams up with NHS on well-being sessions for health workers
News
by Georgia Snow
Demand for emergency support increases amid fears for freelancers’ well-being
News
by Giverny Masso
Mental health warning as theatre workers dip to ‘lowest place psychologically’
News
by Giverny Masso
Most Read
Across The Stage this week
Exclusive: Beauty and the Beast director steps down after leaked email reveals support for Scott Rudin
Liam Scarlett
Scott Rudin to step down from UK productions, Sonia Friedman confirms
No intervals, early starts and mask checks: how theatres are preparing to reopen
Helen McCrory
Choreographer Liam Scarlett dies aged 35
Phantom 'will not return in original form', investors told in November 2020
Liam Scarlett: ‘I am a bit of a control freak’
Helen McCrory dies aged 52
Edinburgh Fringe confirms return with registration opening in May
Your subscription helps ensure our journalism can continue
Invest in The Stage today with a subscription starting at just £3.98
SUBSCRIBE
Newspaper
News
Reviews
Opinion & Advice
Features
Long Reads
Big Interviews
More
Archive
Castings
Dating
Suppliers
Get Into Theatre
Jobs
Tickets
Training
Info
About
Contact Us
Advertising Enquiries
Where to buy
FAQs
Press
Careers
Awards
The Stage Awards
The Stage Debut Awards
The Stage Edinburgh Awards
Legal
Terms and conditions
Advertising terms and conditions
Contributor agreement
Privacy policy
House rules
GDPR Requests
Castings T&C
Digital
Digital Editions
Mobile Apps
Subscribe
Start a subscription today from just £3.98
Subscribe
© Copyright The Stage Media Company Limited 2021