Lyn Gardner: Theatres should join forces to ensure best practice on content warnings

DC-themed immersive show to be developed in agreement with Warner Bros

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

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'Visa-free touring for performers in 19 EU countries' announced by government

DC-themed immersive show to be developed in agreement with Warner Bros

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Rules have been relaxed but the crisis for theatre still has a long way to go

Theatre has become a money-making machine. We have a chance to change

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Customer Experience Team Mem...

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

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'Visa-free touring for performers in 19 EU countries' announced by government

DC-themed immersive show to be developed in agreement with Warner Bros

Further £150 million released for previous Culture Recovery Fund recipients

Lloyd Webber takes programmes in-house and ticketing online – 21 years ago in The Stage

Archiveby The Stage

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Recommended for you

'Visa-free touring for performers in 19 EU countries' announced by government

DC-themed immersive show to be developed in agreement with Warner Bros

Further £150 million released for previous Culture Recovery Fund recipients