Lyn Gardner: Putting on a fringe show is more than just tough – it takes a miracle

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Programme revealed for 2021 Norfolk and Norwich Festival

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

It’s high time we flipped the board on those with a monopoly on the industry

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Jermyn Street Theatre to reopen with three month festival of live performance

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Programme revealed for 2021 Norfolk and Norwich Festival

Features by David Pollock

Jemima Levick: ‘A Play, a Pie and a Pint is a machine making new plays – it’s what I love’

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Data can help theatre tackle inequality, but beware over-optimistic claims

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Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

Opinion

Latest
Most Read

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Data can help theatre tackle inequality, but beware over-optimistic claims

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

It’s time to champion disabled theatre talent with an inclusive recovery

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

Actor Oliver Dimsdale: ‘I loved every second of my first job’

Digital Production Manager.

Choreographer Liam Scarlett dies aged 35

His death - the cause of which has not been disclosed - comes a year after the Royal Opera House ended its association with Scarlett.

Choreographer Liam Scarlett dies aged 35

His death - the cause of which has not been disclosed - comes a year after the Royal Opera House ended its association with Scarlett.

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No Future

Reviews by Ben KulvichitCamden People’s Theatre/Online

Jermyn Street Theatre to reopen with three month festival of live performance

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Programme revealed for 2021 Norfolk and Norwich Festival

Long Reads by Lyn Gardner

More about this person

The Edinburgh Fringe should use its fallow year to renew its purpose

Opinion by Lyn Gardner

Lyn Gardner: As children go back to school, so should their local theatres

Opinion by Lyn Gardner

Lyn Gardner: 14 things I took away from Edinburgh 2019

Opinion by Lyn Gardner

Entertainment unions express 'deep concern' at arts journalism decline

News by Giverny Masso

More about this organisation

Pravin Wilkins wins Theatre503 International Playwriting Award 2020

News by Giverny Masso

Crisis survival: finding the cash to keep UK venues in business

Features by Tim Bano

‘I hope we see a pivot towards hope’ – What does the Covid-19 lockdown mean for new writing?

Meat

Reviews by Olivia Rook

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

Actor Oliver Dimsdale: ‘I loved every second of my first job’

“Strange and discomfiting”

Recommended for you

No Future

Reviews by Ben KulvichitCamden People’s Theatre/Online

Jermyn Street Theatre to reopen with three month festival of live performance

Strive Collective: ‘We wanted to create something entertaining, joyful and meaningful’

Programme revealed for 2021 Norfolk and Norwich Festival