Lyn Gardner: Drama training must adapt to help shatter theatre’s class ceiling

News

Reviews

More

Opinion & Advice

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this Author

‘Children’s theatre doesn’t have a voice in the wider sector’

‘It’s not about surviving the next few months but the next few years’

‘Theatre has a job to do in the new world’

Royal Welsh College music student convicted of raping woman

News by Georgia Snow

Royal Conservatoire of Scotland students call for overhaul to tackle racism

News by Georgia Snow

David James: 'Government and critics need to respect musical theatre as a serious art form'

Advice by John Byrne

Lighting designers scheme expands after mentors re-contribute bursaries

News by Giverny Masso

How action hero Jack Reacher was inspired by The Tempest

Empty seats symbolise lost audiences, but also talent leaving theatre forever

As Derby Theatre reopens its doors, community will be at the heart of our work

Improved working conditions would be something to celebrate, not Brexit

Arts educators are embracing technology, but nothing beats in-person contact

Theatre won’t be fixed by cutting costs around the people who make it

We can learn from South Korea, where theatre has stayed open for business

The Stage’s message to government: act now to save theatre

Full house: What will auditoriums look like when theatres reopen?

The UK theatre sector must face the future together

Editor’s View: The big question is not when theatres will reopen, it's how

Rural touring could offer the quickest route out of lockdown

Recommended for you

Royal Welsh College music student convicted of raping woman

News by Georgia Snow

Royal Conservatoire of Scotland students call for overhaul to tackle racism

News by Georgia Snow

David James: 'Government and critics need to respect musical theatre as a serious art form'

Advice by John Byrne

Lighting designers scheme expands after mentors re-contribute bursaries

News by Giverny Masso

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Empty seats symbolise lost audiences, but also talent leaving theatre forever

The Empty Space: What should have opened this week: Notes from a Small Island

This crisis is a chance to reset theatre subsidy and support artists directly

Opinion

Latest
Most Read

How action hero Jack Reacher was inspired by The Tempest

Empty seats symbolise lost audiences, but also talent leaving theatre forever

As Derby Theatre reopens its doors, community will be at the heart of our work

Improved working conditions would be something to celebrate, not Brexit

Arts educators are embracing technology, but nothing beats in-person contact

Theatre won’t be fixed by cutting costs around the people who make it

Performers shouldn't have to push through pain, theatre must break the injury cycle

Unlike for the Debut Awards nominees, first roles aren’t always auspicious

Empty seats symbolise lost audiences, but also talent leaving theatre forever

Theatre risks losing a generation of writers – we had to try something new

This crisis is a chance to reset theatre subsidy and support artists directly

Producers are taking risks to secure the future of commercial theatre

Advice

Maisey Bawden: ‘TV work was a shock to the system but I loved the buzz’

by John Byrne

Kate Mara: ‘Lifelong learning is essential to evolve throughout your career’

by John Byrne

Julia Farino: 'I decided to share my experiences to help other actors navigate the industry'

by John Byrne

Andrew Linnie: 'Going straight from drama school into a West End show was intimidating'

by John Byrne

Theatre 2021: Sarah Jackson on… parents and carers

The collateral damage of the pandemic must not be a whole generation of those with children or other care responsibilities, says PIPA chair Sarah Jackson. Out of the crisis comes an opportunity to restructure the way we work, treat our workforce and support freelancers

Standard force majeure clause written to support theatre restarts

A standardised force majeure clause for the theatre industry has been drafted to help shows get back up and running

Jobs

Audiences & Communications M...

Cardiff £35 - £37K

Lyn Gardner: Drama training must adapt to help shatter theatre’s class ceiling

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access