Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal
Caroline Horton in All of Me: The Twine, which was reimagined for in interactive digital format. Photo: Ed Collier
In the rush to return to in-person performance, we must not forget how technology has made theatre more accessible, says Lyn Gardner – during the pandemic, the best digital work has engaged audiences that would never have dreamed of attending shows before
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